DIARY DISCOURSE AS A NARRATIVIZATION OF A PERSONAL EXPERIENCE OF O. GONCHAR

S. M. Mostova
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Abstract

The article deals with the linguistic study of discourse which is based on the material of «Dia- ries» by O. Gonchar. In the focus of this research, diary entries are established as the projection and reflection of the linguistic personality of the writer. The process of keeping a diary is considered as the communicative value of text writing. Therefore, the entries reflect the results and characteristics of Gonchar’s communicative activity. The reflection of the word appears as a writer’s artistic work that absorbs the philosophy of his time, his aspiration and cultural experience. Moreover, the linguistic reading of the diary discourse reveals the axiсological perception of the reality, verbalized in the word. As noted by I. Sirko, in the Ukrainian linguistic culture only in the second half of the 20th century – at the beginning of the XXI century dia- ries became a form of personal expression. Due to the philological achievements, it is known that diary and diary activity form the discourse. If to quote the definition of discourse by N. Arutyunova, then discourse is a text immersed in life. Ac- cording to Y. Stepanov, the phenomenon of discourse is the proof of the thesis «Language is the home of the spirit» and, to some extent, the thesis «Language is the home of being». So keeping a diary is a kind of communicative activity. The concept of the diary accurately reflects the specifics of its keeping – a kind of activity that is implemented every day. Linguistic study of the diary’s discourse involves a variety of approaches, including 1) modeling of diary activity, 2) the selection of typical cases of diary writing and the main tendencies characterizing diary texts; 3) description and characterization of diary texts in the unity of language, psycholinguistic, cultural, extra-linguistic circumstances, which influenced the subject and led to creativity. In the diary discourse, we can trace the activities of the author in the role of «figure», the role of «chronicler», the role of «carrier of the psychological state», the role of «the one who writes». This is due to the wide possibilities of the diary. Naturally, in each case, these roles are individual. For example, O. Gonchar realizes himself in several different roles, which is reflected in the numerous entries. He includes all the information, such as drafts of letters, scenes of works, heard jokes or stories, interesting facts, personal or other observations, thoughts which the author consid- ered to be deserving for certain reasons to save. O. Gonchar is endowed with a degree of freedom in his communicative activity. He is free not only in the choice of lexical and syntactical means but also in the choice of topics (events) for a diary entry, as well as in measures of detail, describing a particular event. Thus, a diary is the prism of the vision of the writer’s world, the history of his experience and the formation of the author as a person. In addition, it is important to notice that the records often cover the entire life of the author, which allows us to trace the evolution of the linguistic personality, reconstruct the content of its worldview. In this way, diaries provide informational and communicative values, appear as a projection of the linguistic personality of the writer and reflection of the author’s language.
日记话语作为奥·冈查尔个人经历的叙述
本文以冈查尔的《印度》为材料,探讨语篇的语言学研究。在本研究的重点中,日记条目被确立为作家语言个性的投射和反映。写日记的过程被认为是文本写作的交际价值。因此,这些作品反映了贡查交际活动的结果和特点。世界的反映表现为一个作家的艺术作品,它吸收了他的时代哲学、他的愿望和文化经验。此外,对日记话语的语言解读揭示了对现实的价值论感知,这种感知被语言化了。正如I. Sirko所指出的,在乌克兰的语言文化中,只有在20世纪下半叶-在21世纪初-文字才成为个人表达的一种形式。由于文献学的成就,我们知道日记和日记活动构成了话语。如果引用N. Arutyunova对话语的定义,那么话语就是沉浸在生活中的文本。根据Y. Stepanov的观点,话语现象证明了“语言是精神之家”这一命题,在某种程度上也证明了“语言是存在之家”这一命题。所以写日记是一种交际活动。日记的概念准确地反映了其保留的细节-一种每天执行的活动。日记话语的语言学研究涉及多种方法,包括:1)日记活动的建模;2)日记写作的典型案例选择和日记文本特征的主要倾向;3)在语言、心理语言、文化和语言外环境的统一中对日记文本进行描述和塑造,从而影响主题并产生创造力。在日记话语中,我们可以追溯作者作为“人物”、“编年史者”、“心理状态载体”、“写作者”等角色的活动。这是由于日记的广泛可能性。当然,在每种情况下,这些角色都是独立的。例如,O. Gonchar在几个不同的角色中实现了自己,这在众多的条目中得到了体现。他包括了所有的信息,如信件的草稿,作品的场景,听到的笑话或故事,有趣的事实,个人或其他观察,作者认为有理由值得保存的想法。贡查尔的交际活动具有一定的自由度。他不仅可以自由地选择词汇和句法方式,而且可以选择日记条目的主题(事件),以及描述特定事件的细节措施。因此,日记是作者世界观的棱镜,是他的经历的历史,也是作者作为一个人的形成。此外,值得注意的是,这些记录往往涵盖了作者的整个生活,这使我们能够追溯语言人格的演变,重建其世界观的内容。通过这种方式,日记提供了信息和交际价值,表现为作者语言个性的投射和作者语言的反映。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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