Arielys Morffiz González, Fabi Zeller-M´arquez, Matthew D. Warshawsky
{"title":"From Baroque Spain to 1600s Amsterdam: Emergent Judaism in the Literary Works of Ex-New Christian Miguel de Barrios","authors":"Arielys Morffiz González, Fabi Zeller-M´arquez, Matthew D. Warshawsky","doi":"10.31273/reinvention.v15i1.892","DOIUrl":null,"url":null,"abstract":"Writing from the Hispano-Portuguese Jewish community of Amsterdam, Miguel de Barrios (1635–1701) used literary forms of Catholic Spain to resist the erasure of Jewish identity in Iberian lands by Inquisition tribunals that prosecuted non-Catholic practices as heretical. Our analysis of sonnets and allegorical plays by Barrios shows how, through them, this converso, or New Christian, of Jewish lineage openly exalts Judaism as a divinely chosen faith. We also argue that, by writing diasporic texts firmly adherent to Baroque Spanish literary trends, Barrios broadens the reach of this literature to include the hybrid identity of former conversos living as Jews. We demonstrate how the poet expresses this identity by examining elements that influenced its expression, including his biography and the importance of Amsterdam as a centre of Sephardic, or Iberian Jewish, settlement, and how he reworks canonical genres of Spanish literature to privilege Judaism and Hispano-Portuguese conversos returned to Judaism.","PeriodicalId":183531,"journal":{"name":"Reinvention: an International Journal of Undergraduate Research","volume":"2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Reinvention: an International Journal of Undergraduate Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31273/reinvention.v15i1.892","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Writing from the Hispano-Portuguese Jewish community of Amsterdam, Miguel de Barrios (1635–1701) used literary forms of Catholic Spain to resist the erasure of Jewish identity in Iberian lands by Inquisition tribunals that prosecuted non-Catholic practices as heretical. Our analysis of sonnets and allegorical plays by Barrios shows how, through them, this converso, or New Christian, of Jewish lineage openly exalts Judaism as a divinely chosen faith. We also argue that, by writing diasporic texts firmly adherent to Baroque Spanish literary trends, Barrios broadens the reach of this literature to include the hybrid identity of former conversos living as Jews. We demonstrate how the poet expresses this identity by examining elements that influenced its expression, including his biography and the importance of Amsterdam as a centre of Sephardic, or Iberian Jewish, settlement, and how he reworks canonical genres of Spanish literature to privilege Judaism and Hispano-Portuguese conversos returned to Judaism.
米格尔·德·巴里奥斯(Miguel de Barrios, 1635-1701)在阿姆斯特丹的西班牙-葡萄牙犹太人社区写作,他使用西班牙天主教的文学形式来抵制宗教裁判所对伊比利亚土地上犹太人身份的抹去,宗教裁判所将非天主教的行为视为异端。我们对巴里奥斯十四行诗和讽喻剧的分析表明,通过这些诗歌,这个皈依者,或者说新基督教,是如何公开地把犹太教奉为神选的信仰。我们还认为,通过写散居的文本坚定地坚持巴洛克西班牙文学趋势,巴里奥斯拓宽了这种文学的范围,包括作为犹太人生活的前皈依者的混合身份。我们将通过考察影响其表达的因素来展示诗人如何表达这种身份,包括他的传记和阿姆斯特丹作为西班牙系犹太人或伊比利亚犹太人定居中心的重要性,以及他如何重新创作西班牙文学的权威流派,以优待犹太教和回归犹太教的西班牙-葡萄牙皈依者。