The Infrequently Sung ‘a’ Instead of ‘A’ in ‘Alleluia’ According to the Coptic Tradition

M. Henein, S. Azer, Joseph Khirey, A. Pahor, Nabil S Isshak
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Abstract

We attempted to study the hitherto unexplained phenomenon of the sung “a”, for one note, at the end of an “A” melody. We encountered this issue during singing the word “Alleluia” in the Coptic musical culture. We found that the transmission from “A” to “a” serves as an intermediary step before continuing to the “L”. It may also be an adopted habit by some singers, rather than a consistently inherited musical design with a clear pattern. However, further research is encouraged to decipher this phenomenon.
根据科普特传统,在《哈利路亚》中很少唱“a”而不是“a”
我们试图研究迄今为止无法解释的现象,即在“a”旋律的末尾唱出一个音符“a”。我们在科普特音乐文化中唱“哈利路亚”这个词时遇到了这个问题。我们发现从“A”到“A”的传播在继续到“L”之前起到了中间步骤的作用。这也可能是一些歌手所采用的习惯,而不是一贯继承的具有明确模式的音乐设计。然而,鼓励进一步的研究来解释这一现象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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