Chapter 3 Images of the Ireneu Segarra Method and its Uses in Schools at the Onset of Music Education Redevelopment in Catalonia

Xavier Motilla Salas, Llorenç Gelabert Gual
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Abstract

The collection of photographs considered here comes from the School of Musical Pedagogy-Ireneu Segarra Method (SMP-ISM) and contains images taken between 1974 and 2003. The images are organized into three amateur photo albums that are all housed in the Music Archives at the Abbey of Montserrat, in a special section that stores all the SMP-ISM’s archival collections. The main objective of the current chapter is to analyze a specific selection of photographs that were taken during a 1984 music class at the Autonomous University of Barcelona’s (UAB by its Catalan initials) Student Teaching School. All five of the images shown below were taken by a professional photographer to be published in a book commemorating the ten-year anniversary of the SMP-ISM. The relevance of this particular collection of photographs is that they are an iconographic compilation of the innovations that the Ireneu Segarra method contributed to primary education. To contextualize the collection, we first provide an overview of the movement to redevelop music teaching at the SMP-ISM in Catalonia, at a time defined by the rollout of Spain’s General Education Law. We also give a brief account of the SMP-ISM’s photographic archives and the publication for which these particular photos were taken. Finally, we conduct an in-depth analysis of our set of images based on their intrinsic value as historical evidence and relevance in painting a picture of the iconography surrounding the redevelopment of music teaching in schools, their intended visibility, and use as propaganda. This analysis arises from the belief that photography not only witnesses historic events, but also serves to shape an explanatory and justificatory discourse of reality. The specific analysis of the photographs was performed at three levels – analysis of the image itself, historical context, and interpretation – and mainly inspired by the iconographic method of
第三章:在加泰罗尼亚音乐教育重新发展的初期,Ireneu Segarra方法的形象及其在学校中的应用
这里考虑的照片集合来自音乐教学学院- ireneu Segarra方法(SMP-ISM),包含1974年至2003年之间的图像。这些图像被组织成三本业余相册,全部存放在蒙特塞拉特修道院的音乐档案馆,在一个特殊的区域里存储了所有SMP-ISM的档案收藏。本章的主要目的是分析1984年巴塞罗那自治大学(UAB,加泰罗尼亚语首字母缩写)学生教学学校音乐课上拍摄的特定照片。以下五张照片都是由专业摄影师拍摄的,将出版在纪念SMP-ISM成立十周年的书中。这组特殊的照片的相关性在于,它们是Ireneu Segarra方法对初等教育做出贡献的创新的图像汇编。为了将这些收藏置于背景中,我们首先概述了加泰罗尼亚SMP-ISM重新发展音乐教学的运动,这是由西班牙普通教育法的推出所定义的。我们还简要介绍了SMP-ISM的摄影档案和为这些特殊照片拍摄的出版物。最后,我们对我们的图像集进行了深入的分析,基于它们作为历史证据的内在价值,以及在描绘围绕学校音乐教学重建的图像学、它们的预期可见性和宣传用途方面的相关性。这种分析源于这样一种信念,即摄影不仅见证了历史事件,而且有助于塑造对现实的解释性和正当性话语。对这些照片的具体分析分三个层面进行——对图像本身的分析、历史背景的分析和解释——主要是受到图像学方法的启发
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