From a Man to a ‘Man of Honour’

R. Merlino
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引用次数: 2

Abstract

The idea of a religious Cosa Nostra might seem to be a contradiction, yet religious symbolism and behaviour are strikingly apparent throughout the history of the organization. Recent studies have described this phenomenon from several different perspectives (Sales, 2010; Cavadi, 2009; Dino, 2006) however, there have been fewer attempts to consider language and behaviour as a specific context in which to analyse religious references. The object of my research is to describe the role that religion plays at micro and macro-social level of interaction between the mafia leaders and the lower echelons of the organization. In particular, it refers to approaches which emphasize the role of rituality and performativity in constituting social structure and identity, to explore the effects that the religious language and behaviour of the mafia bosses have on the rest of the organization. This presentation focuses on the religious symbolism and rituals that characterize the initiation ceremony of the Sicilian mafia to analyze the effects that it has on the initiates. The methodology mainly employs anthropological approaches to ritual (Van Gennep 1909; Turner 1969, 1974), sociological theories of religion (Durkheim 1961) and Cultural Performance theories (Turner, 1986; Schechner, 2002) as its theoretical framework. The data are derived from judicial papers and the testimonies of mafia defectors. Such an approach could prove particularly useful in the study of the cultural universe of the mafia and, above all, it could provide a better understanding of the enduring ability of Cosa Nostra to adapt to changing times whilst maintaining consistent 'moral' codes and practices.
从一个男人到一个“荣誉之人”
宗教科萨诺斯特拉的想法似乎是矛盾的,但宗教象征和行为在整个组织的历史中都非常明显。最近的研究从几个不同的角度描述了这一现象(Sales, 2010;Cavadi, 2009;Dino, 2006)然而,很少有人尝试将语言和行为作为分析宗教参考的特定背景。我的研究目的是描述宗教在黑手党领导人与组织下层之间互动的微观和宏观社会层面上所起的作用。特别是,它指的是强调仪式和表演在构成社会结构和身份方面的作用的方法,以探索黑手党老板的宗教语言和行为对组织其他部分的影响。本演讲着重于西西里黑手党入会仪式的宗教象征和仪式,分析其对入会者的影响。方法论主要采用人类学方法来研究仪式(Van Gennep 1909;特纳1969年,1974年),宗教社会学理论(迪尔凯姆1961年)和文化表演理论(特纳1986年;Schechner, 2002)作为其理论框架。这些数据来自司法文件和黑手党叛逃者的证词。这种方法在研究黑手党的文化世界时特别有用,最重要的是,它可以更好地理解Cosa Nostra在保持一致的“道德”准则和实践的同时适应不断变化的时代的持久能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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