Hybrid beasts of the Nordic Bronze Age

L. Ahlqvist, Helle Vandkilde
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引用次数: 13

Abstract

ABSTRACT During the Nordic Bronze Age (NBA), hybrid beasts contributed to cosmological and mythical narratives on the main media of metal and rock. These hybrids are composed of body parts from particular animals – including bull, bird, snake, horse and human – which entangle with particular objects or images. On metalwork, they appear especially on bronze razors but also on shields, bowls, combs, helmets and in the shape of figurines. Their main occurrence clusters in the later part of the NBA that is characterised by social change. Especially cremation as the total metamorphosis of the human body aligns with a nexus of analogues firmly linking interspecies composites with ideas of bodily fluidity and transformation. Overall, this may be understood as a way of perceiving, and potentially controlling, the world. NBA hybridising art does not indicate that the religion of the era is reducible to mere animism throughout, but society certainly retained and put to use properties of an animistic tradition. Supported by contextual data, the article proposes that the hybrids related to shared NBA myths and religious practices while also legitimising the privilege and leadership of the upper echelons of NBA societies.
北欧青铜时代的混血兽
在北欧青铜时代(NBA),混合兽在金属和摇滚的主要媒介上为宇宙和神话叙事做出了贡献。这些杂交种是由特定动物的身体部位组成的,包括牛、鸟、蛇、马和人,这些部位与特定的物体或图像纠缠在一起。在金属制品上,它们主要出现在青铜剃须刀上,也出现在盾牌、碗、梳子、头盔和小雕像的形状上。这些事件主要发生在以社会变迁为特征的NBA后期。尤其是火葬,因为人体的完全变形与类似物的联系紧密地联系在一起,将物种间的复合物与身体流动性和转化的想法联系在一起。总的来说,这可以被理解为一种感知和潜在控制世界的方式。NBA的混合艺术并不表明那个时代的宗教在整个过程中被简化为纯粹的万物有灵论,但社会肯定保留并使用了万物有灵论传统的属性。在背景数据的支持下,文章提出,这些混血儿与共同的NBA神话和宗教习俗有关,同时也使NBA社会上层的特权和领导地位合法化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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