Feministyczne topografie miasta – Neapol Eleny Ferrante

Agnieszka Gawron
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引用次数: 0

Abstract

The paper examines the role of Naples in Elena Ferrante’s works. The regional capital of Campania serves here as a topographical frame for the protagonists’ experiences and, at the same time, as a plane onto which Ferrante inscribes fundamental dimensions of her work, related to autobiography, identity, intertextuality and artistic craft. Central to such poetics of space is the inseparable relationship between Naples, women’s experiences and creativity. The essence of this relationship is defined by such notions as labyrinth, porous, ghettoization, and “smarginatura”. Rewriting the city from the perspective of women’s sensitivity and memory subversively deconstructs its androcentric and oppressive qualities, emphasizing women’s agency as dux feminae facti, marking their own spaces in the urban and artistic topography.
本文考察了那不勒斯在埃琳娜·费兰特作品中的作用。坎帕尼亚地区的首府在这里充当了主人公经历的地形框架,同时,作为一个平面,费兰特将她的作品的基本维度,与自传,身份,互文性和艺术工艺有关。这种空间诗学的核心是那不勒斯、女性的经历和创造力之间不可分割的关系。这种关系的本质是由迷宫、多孔、贫民窟化和“smarginatura”等概念定义的。从女性的敏感和记忆的角度对城市进行改写,颠覆性地解构了城市的男性中心主义和压迫性,强调女性作为dux feminae facti的能动性,在城市和艺术地形中标记出自己的空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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