E-Learning Perspectives: Rethinking the Purpose of Music Analysis in K-12 Music Programs

N. Mamedov
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Abstract

Instructors at all levels face the need to adapt to the increased demand in e-learning. There are different pedagogical challenges to overcome when dealing with performative and academic music fields’ teaching practices. Previous works on the use of e-learning and blended education emphasize the necessity to incorporate digital literacy into the music classroom (Ruokonen et al., 2019.) This research focuses on understanding music theory as an interdisciplinary study rather than purely analytical, and offers an insight into a revised version of Bloom's taxonomy to motivate students to pursue academic music-making by using a novel three-step framework with the assistance of technology that – within the scope of fundamental knowledge, the practical application of analysis, and the usage of music arrangement and composition – allows teachers to incorporate the higher-order components of evaluation and creation at the start of the course study.
电子学习视角:重新思考K-12音乐课程中音乐分析的目的
各级教师都需要适应日益增长的电子学习需求。在处理表演和学术音乐领域的教学实践时,有不同的教学挑战需要克服。之前关于使用电子学习和混合教育的研究强调了将数字素养纳入音乐课堂的必要性(Ruokonen et al., 2019)。本研究侧重于将音乐理论理解为一种跨学科的研究,而不是纯粹的分析,并提供了对布鲁姆分类法的修订版本的见解,以激励学生追求学术音乐创作,通过使用一个新的三步框架,在技术的帮助下,在基础知识的范围内,分析的实际应用,音乐编曲和作曲的使用-允许教师在课程学习的开始就将评价和创作的高阶组成部分纳入其中。
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