Land and Territory

N. Miller
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Abstract

This chapter explains that the arrival of lithography in the 1820s made it possible to illustrate printed matter with beautiful scenic engravings. It analyses the evocations of distinctive natural phenomena that constituted a rare element of continuity between the creole patriotism of the late eighteenth century and the post-independence debates about the future. It also discusses how utility and utopianism were enfolded into investigations of the biblical and secular paradise of American nature. The chapter cites how Bello's famous Ode to Tropical Agriculture summoned its audience to live out the freedom won by independence through working the soil, exhorting them not to let the prodigious bounty of tropical fruits lure them into sterile idleness. It mentions that the Argentine anthem mapped out the battlegrounds where liberty had been won, and the Chilean anthem celebrated the clarity of the sky, the tranquillity of the sea, and the majesty of the mountains.
土地及领土
本章解释了19世纪20年代光刻术的到来,使得用美丽的风景雕刻来说明印刷品成为可能。它分析了独特的自然现象的唤起,这些自然现象构成了18世纪晚期克里奥尔爱国主义和独立后关于未来的辩论之间罕见的连续性元素。它还讨论了功利主义和乌托邦主义是如何被卷入对美国自然的圣经和世俗天堂的调查的。这一章引用了贝罗著名的《热带农业颂》(Ode to Tropical Agriculture),他号召听众们通过在土地上劳作,活出独立所赢得的自由,并告诫他们不要被热带水果的丰饶诱惑,陷入无果而终的懒散状态。它提到阿根廷国歌描绘了赢得自由的战场,智利国歌歌颂了天空的清澈、大海的宁静和山脉的雄伟。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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