{"title":"\"Taiga law,\" in the works of V. P. Astafiev: the semantics of the concept of folk ecology","authors":"L. G. Samotik","doi":"10.17516/2311-3499-051","DOIUrl":null,"url":null,"abstract":"The article is devoted to the \"taiga law\" in the works of V. p. Astafiev, which is shown by the writer as a real concept existing in Siberia. The \"taiga law\" is noted in the literature and attracted the attention of literary critics, but the researchers did not turn to him, analyzing the work of the writer. In the ecological prose of V. P. Astafiev the significant place (and in some texts central one) to the code of the people's ecology, centuries-old and passed from generation to generation, as well as to the environmental symbol of the Siberian culture. The law includes the relation of man to man in the taiga existence and the relation of man to flora and fauna. Contrary to popular belief it is shown that the texts of V.P. Astafiev presented as a critical aspect of ecology (ecocriticism) and positive. The work is done in line with the ideas of cognitive linguistics, taking into account the conditionality of the literary text of the author's linguistic picture of the world, in the works of writers-villagers it is associated with a regional component. \"Taiga law\" is a regional mental concept that is waiting to be considered within the definition of \"Siberian text\". How the lexical unit \"the law of the taiga\" refers to the environmental vocabulary (Koslova). The article focuses on the features of the concept functioning as a sign- formator (W. Weinreich). In the article, the 10 components of the transformer are identified in the texts of the writer. This \"unwritten\" law, it exists in oral form, so has traits in common with folkloric elements: the writer, the nomination is presented in two variants (the \"law of the taiga\" and \"strong law\") is uncertain semantic scope, emotionally expressive painted. The spatial component of \"taiga\" is important in the nomination structure. This is an axiological concept based on evaluation, carrying a number of direct and hidden prohibitions. \"Taiga law\" appears in the texts of V. p. Astafiev, on the one hand, as organizing the beginning of the daily life of Siberians, on the other, as the cause of conflicts. In fiction texts creates tensions of the text, organizing the conflict both interpersonal and social. In some texts, the \"taiga law\" performs a plot-forming function. The results of the study essential for the theory of environmental prose, add a new element in the philological studies of Astafiev’s legacy.","PeriodicalId":185879,"journal":{"name":"Èkologiâ âzyka i kommunikativnaâ praktika","volume":"3916 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Èkologiâ âzyka i kommunikativnaâ praktika","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17516/2311-3499-051","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The article is devoted to the "taiga law" in the works of V. p. Astafiev, which is shown by the writer as a real concept existing in Siberia. The "taiga law" is noted in the literature and attracted the attention of literary critics, but the researchers did not turn to him, analyzing the work of the writer. In the ecological prose of V. P. Astafiev the significant place (and in some texts central one) to the code of the people's ecology, centuries-old and passed from generation to generation, as well as to the environmental symbol of the Siberian culture. The law includes the relation of man to man in the taiga existence and the relation of man to flora and fauna. Contrary to popular belief it is shown that the texts of V.P. Astafiev presented as a critical aspect of ecology (ecocriticism) and positive. The work is done in line with the ideas of cognitive linguistics, taking into account the conditionality of the literary text of the author's linguistic picture of the world, in the works of writers-villagers it is associated with a regional component. "Taiga law" is a regional mental concept that is waiting to be considered within the definition of "Siberian text". How the lexical unit "the law of the taiga" refers to the environmental vocabulary (Koslova). The article focuses on the features of the concept functioning as a sign- formator (W. Weinreich). In the article, the 10 components of the transformer are identified in the texts of the writer. This "unwritten" law, it exists in oral form, so has traits in common with folkloric elements: the writer, the nomination is presented in two variants (the "law of the taiga" and "strong law") is uncertain semantic scope, emotionally expressive painted. The spatial component of "taiga" is important in the nomination structure. This is an axiological concept based on evaluation, carrying a number of direct and hidden prohibitions. "Taiga law" appears in the texts of V. p. Astafiev, on the one hand, as organizing the beginning of the daily life of Siberians, on the other, as the cause of conflicts. In fiction texts creates tensions of the text, organizing the conflict both interpersonal and social. In some texts, the "taiga law" performs a plot-forming function. The results of the study essential for the theory of environmental prose, add a new element in the philological studies of Astafiev’s legacy.
本文论述了阿斯塔菲耶夫作品中的“针叶林法则”,作者认为这是存在于西伯利亚的一个真实的概念。“泰加定律”在文学中被注意到,并引起了文学评论家的注意,但研究人员并没有转向他,分析作家的作品。在V. P. Astafiev的生态散文中,重要的地方(在一些文本中是中心的)是人们生态的代码,几个世纪以来代代相传,也是西伯利亚文化的环境象征。这一规律包括在针叶林中人与人之间的关系以及人与动植物之间的关系。与普遍的看法相反,它表明,V.P.斯塔菲耶夫的文本呈现为生态学(生态批评)的一个关键方面和积极的。这项工作是按照认知语言学的思想进行的,考虑到作者的语言世界图景的文学文本的条件性,在作家-村民的作品中,它与区域成分有关。“针叶林法”是一个区域性的心理概念,有待在“西伯利亚文本”的定义中加以考虑。词汇单位“针叶林法则”如何指称环境词汇(科斯洛娃)。本文着重讨论了作为符号形成者的概念的特征(W. Weinreich)。在本文中,作者在文中确定了变压器的10个组成部分。这种“不成文”的法律,它以口头形式存在,因此具有与民俗元素共同的特点:对作者来说,提名是两种变体(“针叶林法”和“强法”)呈现的,是语义范围不确定、情感表现力不确定的画法。“针叶林”的空间成分在提名结构中占有重要地位。这是一个基于评价的价值论概念,带有一些直接的和隐藏的禁忌。“泰加法则”出现在V. p. Astafiev的文本中,一方面,作为组织西伯利亚人日常生活的开始,另一方面,作为冲突的原因。在小说中,文本创造了文本的张力,组织了人际和社会的冲突。在一些文本中,“针叶林法则”起到了情节形成的作用。研究结果对环境散文理论至关重要,为阿斯塔菲耶夫遗产的语言学研究增添了新的元素。