{"title":"Iris sangrenta: arte como visão premonitória em Eyes of Laura Mars (1978) e Sette note in nero (1977)","authors":"L. Campos","doi":"10.20396/eha.vi14.3461","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":305074,"journal":{"name":"Atas do 14º...","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Atas do 14º...","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20396/eha.vi14.3461","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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