The Journey of Self-Discovery and Wholeness in To the Light House: From the ‘Body for Others’ to the ‘Visionary Body’

Muzaffer Derya Nazlıpınar Subaşı
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Abstract

Abstract Having been defined as an ‘incomplete man’ or an ‘incidental being’ that lacks certain qualities, women have gradually internalized the patriarchal ideology, claiming that they are essentially insufficient. Considering themselves as the insignificant ‘Other’ in relation to men, women are full of self-loathing and shame over their bodies. Thus, always seeking men’s approval, women drown out the inner voice of their bodies and resort to being ‘the body for others’. However, for Woolf, it is a self- destruction not a salvation. She claims women have to get rid of those docile bodies and disembodied minds to be able to take control of their own lives cleared from all the social constraints, society constructed gender roles and patriarchal demands. For Woolf, this is only possible when women assert themselves through their bodies, thereby realizing a new sense of being inside themselves that is powerful and autonomous ready to actualize its potential. Therefore, basing its argument on those assertions of Virginia Woolf and one of her most influential novels, To the Lighthouse, this study puts forward women’s body image largely influenced by phallocentric world and its typical patriarchal system can be challenged and subverted through the ‘visionary body’ that enables women to achieve the unique process of self-discovery and wholeness.
《走向灯塔》中自我发现和完整的旅程:从“为他人的身体”到“有远见的身体”
女性被定义为“不完整的男人”或缺乏某些品质的“偶然存在”,她们逐渐内化了男权意识形态,声称自己本质上是不足的。女性认为自己与男性相比是微不足道的“他者”,对自己的身体充满了自我厌恶和羞耻。因此,总是寻求男人的认可,女人淹没了自己身体的内心声音,求助于成为“别人的身体”。然而,对伍尔夫来说,这是一种自我毁灭,而不是救赎。她声称,女性必须摆脱那些温顺的身体和脱离肉体的思想,才能控制自己的生活,摆脱所有的社会约束,社会建构的性别角色和父权要求。对于伍尔夫来说,这只有当女性通过她们的身体来维护自己,从而实现一种新的内在意识,这种意识是强大的,自主的,准备好实现其潜力时才有可能。因此,本研究基于弗吉尼亚·伍尔夫的这些主张和她最具影响力的小说之一《到灯塔去》,提出女性的身体形象在很大程度上受到生殖器中心世界的影响,通过“幻想的身体”可以挑战和颠覆其典型的父权制度,使女性实现独特的自我发现和完整的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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