{"title":"EKRANISASI NOVEL LAYANGAN PUTUS KARYA EKA NUR PRASETYA DAN FILM LAYANGAN PUTUS KARYA BENNI SETIAWAN","authors":"Edwin Sapu Ranga, Yunita Anas Sriwulandari","doi":"10.33503/salinga.v2i1.2198","DOIUrl":null,"url":null,"abstract":"This study aims to describe the process of ecranization of the plot, characters, and setting. Both in the form of categorization of aspects of reduction, addition or change, there are various variations in the ecranization of the novel Layangan Putus by Eka Nur Prasetya and the Film Layangan Putus by Benni Setiawan.As for in this study the researchers used descriptive qualitative research methods. The data sources of this research are the Disconnect Kites Novel by Ekla Nur Prasetya and the Disconnected Kites Film by Benni Setawan. In this study, the researcher focused more on the process of ecranization of the plot, characters, and setting. The instrument of this research is the technique of reading, watching and taking notes. Data validity was obtained using semantic validity and referential validity, data reliability was obtained using intrarater reliability.Based on the explanation above, the researchers found research results that showed that the ecranization process that occurred in the plot, character, and setting elements, namely the existence of a reduction, addition, and change varied. The shrinkage of plot, characters and setting occurs because the media used in making novels and films are different. Overall it was done because the omission of the story, characters, and setting were taken in parts that were not so important to be displayed. The addition of plots, characters and settings in the film as a whole is still relevant to the story in the novel, it's just that the visualization of the film is made more interesting by the many story conflicts, the existence of an additional character and background that is raised so that the story in the film does not feel monotonous like the story in the film. novel. This appearance is to add to the essence of the film so that the audience will be at the bottom of the storyline. The changes in the various plots, characters and settings that were made in the visualization to the form of the film as a whole did not occur far from the depiction in the novel.","PeriodicalId":286210,"journal":{"name":"Prosiding Seminar Nasional Sastra, Lingua, Dan Pembelajarannya (Salinga)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Prosiding Seminar Nasional Sastra, Lingua, Dan Pembelajarannya (Salinga)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33503/salinga.v2i1.2198","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This study aims to describe the process of ecranization of the plot, characters, and setting. Both in the form of categorization of aspects of reduction, addition or change, there are various variations in the ecranization of the novel Layangan Putus by Eka Nur Prasetya and the Film Layangan Putus by Benni Setiawan.As for in this study the researchers used descriptive qualitative research methods. The data sources of this research are the Disconnect Kites Novel by Ekla Nur Prasetya and the Disconnected Kites Film by Benni Setawan. In this study, the researcher focused more on the process of ecranization of the plot, characters, and setting. The instrument of this research is the technique of reading, watching and taking notes. Data validity was obtained using semantic validity and referential validity, data reliability was obtained using intrarater reliability.Based on the explanation above, the researchers found research results that showed that the ecranization process that occurred in the plot, character, and setting elements, namely the existence of a reduction, addition, and change varied. The shrinkage of plot, characters and setting occurs because the media used in making novels and films are different. Overall it was done because the omission of the story, characters, and setting were taken in parts that were not so important to be displayed. The addition of plots, characters and settings in the film as a whole is still relevant to the story in the novel, it's just that the visualization of the film is made more interesting by the many story conflicts, the existence of an additional character and background that is raised so that the story in the film does not feel monotonous like the story in the film. novel. This appearance is to add to the essence of the film so that the audience will be at the bottom of the storyline. The changes in the various plots, characters and settings that were made in the visualization to the form of the film as a whole did not occur far from the depiction in the novel.
市场推广的风筝小说EKA NUR PRASETYA的作品中断了,BENNI SETIAWAN的电影中断了风筝制作
本研究旨在描述故事情节、人物和背景的组织过程。无论是在减少、增加还是变化方面的分类形式上,Eka Nur Prasetya的小说《Layangan Putus》和Benni Setiawan的电影《Layangan Putus》的组织形式都有不同。在本研究中,研究者采用了描述性质的研究方法。本研究的数据来源是Ekla Nur Prasetya的《断开的风筝》小说和Benni Setawan的《断开的风筝》电影。在本研究中,研究者更关注情节、人物和背景的组织过程。本研究的工具是阅读、观察和记笔记的技巧。采用语义效度和参考效度获得数据效度,采用内部信度获得数据信度。基于上述解释,研究者发现研究结果表明,情节、人物、背景元素发生的再组织过程,即减少、增加、变化的存在是不同的。小说和电影的制作媒介不同,导致了情节、人物、背景的缩小。总的来说,这是因为省略了故事、角色和背景,这些都是不太重要的部分。电影中情节、人物和设定的增加作为一个整体仍然与小说中的故事相关,只是电影的可视化通过许多故事冲突而变得更加有趣,增加了一个额外的人物和背景的存在,从而使电影中的故事不像电影中的故事那样单调。小说。这种出现是为了增加电影的本质,让观众处于故事情节的底部。在视觉化中对电影整体形式所做的各种情节、人物和设定的改变,与小说中的描写并没有太大的距离。