Ornamental compositions of tattoos among the peoples of Northern Pacifica (classification principles)

L. Lbova, I. Ponkratova, L. Lebedeva
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引用次数: 1

Abstract

Tattoos are a vivid artistic form and expressive means of cultural, social and possibly ethnic identity of the peoples of the North. The classification of tattoos of the aboriginal peoples of the North Pacific, as well as the systematization of ornamental compositions and elements, have not yet been developed, which determines the novelty of this publication. The relevance of the study is in developing a research methodology for tattoo ornament, as a special type of artistic creativity of the peoples of the North. In the study we analyze the data on main ornamental motives and compositions of tattoos of the Chukchi, Eskimos, Evens, Itelmens, and other peoples of the northeastern regions of Eurasia basing of ethnographic observations obtained by a number of researchers in the 17th-19th and early 20th centuries. It has been revealed that while the main type of ornament of the peoples of the North is represented by simple geometric figures (lines, dotted lines, geometric shapes, grids, etc.), the unique stylized anthropomorphic and zoomorphic elements preserved as well. Analysis of ideas about northern ornamental art is an urgent task, since it plays an important role in the formation of personal, cultural, ethnic and social identity of the peoples, which determines the future prospects for cross-cultural research. Additionally to the tattoo motives ornamentation techniques, tools, composition of elements and features of motifs and compositions on household items, clothes, etc. can be identified as features of ornamental art. The authors see further research prospects in verification of the techniques of ornamentation characteristics, the semantic analysis of the ornamental field as a whole.
北太平洋民族纹身的装饰组成(分类原则)
纹身是一种生动的艺术形式,表达了北方人民的文化、社会和可能的民族身份。北太平洋土著人纹身的分类,以及装饰成分和元素的系统化尚未发展,这决定了本出版物的新颖性。该研究的意义在于,对于作为北韩民族的特殊艺术创造形式的纹身装饰,开发出一种研究方法。本研究基于17 -19世纪和20世纪初许多研究者的民族志观察,分析了楚科奇人、爱斯基摩人、埃文人、伊特尔曼人和欧亚大陆东北部地区其他民族纹身的主要装饰动机和成分。研究表明,虽然北方民族的主要装饰类型是简单的几何图形(线、虚线、几何形状、网格等),但也保留了独特的人格化和兽形化元素。分析关于北方装饰艺术的观念是一项紧迫的任务,因为它在人们的个人认同、文化认同、民族认同和社会认同的形成中起着重要作用,这决定了跨文化研究的未来前景。除纹身动机外,装饰技术、工具、元素的构成以及家居用品、衣服等上的图案和构成的特征也可视为装饰艺术的特征。在景观特征技术验证、景观景观整体语义分析等方面展望了进一步的研究前景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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