The “alien” alien in Stanislaw Lem’s Solaris and its manifold echoes in the world of literature

M. Rieger
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Abstract

Stanislaw Lem has left a remarkable impact on world literature in science fiction and beyond. One of the reasons for this is his – often radical – approach to exploring new topics and philosophical concepts. In this article, we study his concept of an unknowable intelligence that eludes all scientific approaches by humans who try to understand its motivations, reasoning and functioning; an “alien” alien, as it is most clearly presented in Lem’s 1961 novel Solaris. Echoes of this radical concept can be found, albeit often in a highly diluted form, in a number of subsequent works by various writers like Arkady and Boris Strugatsky, Iain M. Banks and Cixin Liu. They also resurface in other media, from mainstream movies to anime. We argue that Lem’s original concept has been utilized by later writers for manifold purposes, sometimes merely as a plot device, but at other times as a metaphor exemplifying the insurmountable limits of knowledge or even for transporting entirely different ideas.
斯坦尼斯拉夫·莱姆的《索拉里斯》中的“异类”外星人及其在文学世界中的多重回响
斯坦尼斯拉夫·莱姆在科幻小说及其他领域对世界文学产生了显著影响。其中一个原因是他经常激进地探索新主题和哲学概念的方法。在这篇文章中,我们研究了他关于不可知智能的概念,人类试图理解其动机、推理和功能的所有科学方法都无法理解;正如莱姆1961年的小说《索拉里斯》中最清楚地描述的那样,他是一个“外星”外星人。在阿卡迪和鲍里斯·斯特鲁加茨基(Boris Strugatsky)、伊恩·m·班克斯(Iain M. Banks)和刘子欣等作家后来的许多作品中,可以找到这种激进概念的回声,尽管往往是以一种高度淡化的形式出现。从主流电影到动漫,他们也会在其他媒体上重新出现。我们认为莱姆的原始概念被后来的作家用于多种目的,有时只是作为情节手段,但在其他时候作为一个隐喻,例证了知识的不可逾越的限制,甚至是为了传达完全不同的想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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