Emotional creativity

Barbara Rauch
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引用次数: 55

Abstract

In collaboration with the Rapidform Print Research department at the Royal College of Art in London we developed a series of three-dimensional works. Some of the digital data was used for animations, some data was manipulated for printing and 3D sculptures. This research demonstrates an exciting moment of a new tangentiality of digital media. With this research a crossover zone was explored, where computer technology affects the material realm and where digitally driven processes interact with traditional ones describing a hybrid practice. 'InterFaced' and 'Thick Friendship' is a series of works that speak to evolutionary biology, emotions and hybridity. The work derives from a database of human faces and individual animal faces that where scanned with a 3D scanner to bring gestural and facial expressions of animals and humans to interact. The work suggests a discussion about feelings and consciousness that include animal and posthuman digital emotion.
情绪创造力
我们与伦敦皇家艺术学院的Rapidform印刷研究部门合作,开发了一系列三维作品。一些数字数据被用于动画,一些数据被用于打印和3D雕塑。这项研究展示了数字媒体新切线性的一个激动人心的时刻。通过这项研究,我们探索了一个交叉区域,在这里计算机技术影响着材料领域,在这里数字驱动的过程与传统的过程相互作用,描述了一种混合实践。“界面”和“深厚的友谊”是一系列涉及进化生物学、情感和杂交的作品。这项工作来源于一个人脸和单个动物面部的数据库,用3D扫描仪扫描,使动物和人类的手势和面部表情相互作用。这项研究提出了一种关于情感和意识的讨论,包括动物和后人类的数字情感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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