{"title":"Emotional creativity","authors":"Barbara Rauch","doi":"10.1145/2466627.2481239","DOIUrl":null,"url":null,"abstract":"In collaboration with the Rapidform Print Research department at the Royal College of Art in London we developed a series of three-dimensional works. Some of the digital data was used for animations, some data was manipulated for printing and 3D sculptures. This research demonstrates an exciting moment of a new tangentiality of digital media. With this research a crossover zone was explored, where computer technology affects the material realm and where digitally driven processes interact with traditional ones describing a hybrid practice. 'InterFaced' and 'Thick Friendship' is a series of works that speak to evolutionary biology, emotions and hybridity. The work derives from a database of human faces and individual animal faces that where scanned with a 3D scanner to bring gestural and facial expressions of animals and humans to interact. The work suggests a discussion about feelings and consciousness that include animal and posthuman digital emotion.","PeriodicalId":333903,"journal":{"name":"Proceedings of the 9th ACM Conference on Creativity & Cognition","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2013-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"55","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 9th ACM Conference on Creativity & Cognition","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/2466627.2481239","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 55
Abstract
In collaboration with the Rapidform Print Research department at the Royal College of Art in London we developed a series of three-dimensional works. Some of the digital data was used for animations, some data was manipulated for printing and 3D sculptures. This research demonstrates an exciting moment of a new tangentiality of digital media. With this research a crossover zone was explored, where computer technology affects the material realm and where digitally driven processes interact with traditional ones describing a hybrid practice. 'InterFaced' and 'Thick Friendship' is a series of works that speak to evolutionary biology, emotions and hybridity. The work derives from a database of human faces and individual animal faces that where scanned with a 3D scanner to bring gestural and facial expressions of animals and humans to interact. The work suggests a discussion about feelings and consciousness that include animal and posthuman digital emotion.