A. CHEKHOV AND V. KAVERIN: THE TWO MONTIGOMOS

Alla R. Lisitsa
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Abstract

The present article covers the results of the comparative analysis of the short story "Boys" by A. Chekhov and "The Two Captains" by V. Kaverin whose protagonists both go by the same symbolic name Montigomo the Hawk Pounce. Similar treaits in the images of Chechevitsyn and Sanya Grigoriyev are singled out, similar for the two works motifs of escaping and reading are highlighted, quotational allusions are located. Despite the fact that the appearance of Montigomo in Chekhov's text is traditionally attributed to the historical realia (the writer's contemporary had a quite similar nickname), the article suggests to look for possible prototypes of that name's in the classical adventure literature. The author suggests that the typological similarities between the texts are rooted not only in the reception of the Native American novels in the 19th-century Russia but also by the style of A. Chekhov influencing the formation of V. Kaverin's artistic principles that are emphatically oriented to the literary tradition.
契诃夫和卡维林:两个montigomos
本文对契诃夫的短篇小说《男孩》和卡维林的短篇小说《两个船长》进行了比较分析,这两部小说的主人公都有一个象征性的名字——猛扑鹰的蒙蒂戈莫。在切切维琴和三亚格里戈里耶夫的形象中挑出了相似的特质,突出了两部作品相似的逃避和阅读母题,定位了引语典故。尽管契诃夫作品中蒙蒂戈莫的出现传统上被认为是历史现实(作家的同时代人有一个非常相似的绰号),但文章建议在古典冒险文学中寻找这个名字的可能原型。作者认为,这两种文本在类型学上的相似性不仅源于19世纪俄罗斯对美洲土著小说的接受,而且契诃夫的风格影响了卡维林强调文学传统的艺术原则的形成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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