The Stylistics of Al-qu’ran: The Symbolic Meaning and Function of the Art of Reading Al-qur’an on the Context of Communication

M. Musta’in
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引用次数: 2

Abstract

The study the stylistics of the Qur'an cannot be separated from the concept of i'jaz al-Quran as a form of uniqueness and privilege of the language of Qur'an. When Qur'an was delivered to the Arab society, they had used high language and literature. By the emergence of the art of reading the Quran (nagham al-Quran) around the world, and it is believed as one of the forms of appreciation of the Qoran, Muslims in Indonesia receive and appreciate it with pleasure. The Musabaqoh Tilawatil Quran (MTQ), whish is held by the governments and non-governmental institutions of all levels, has been carried out on a regular and continuous basis. As a religious text, the Qur'an has a very high literary dimension. The Quran also has some aesthetic and musical-messaging dimensions. This paper attempts to discuss the stylistic styles of language in the aspects of the art of reading the Qoran with a single voice, without the accompaniment of musical instruments, and unrelated to musical tone. This is specifically used for tazyin al-Saut bi tilawah al-Quran. The approach used in this study is Al-Uslub al-Adabi or Literary Stilistica, which focuses on the level of persistence or phonology, which includes phonetics and phonemics. Phonetics is divided into three parts, namely; articulatory phonetic, acoustic phonetics, and auditory phonetics. The discussion on literary stylistics is cannot be separated from emotional aspects, not logical aspects. The analysis of literary stylistics in the art of reading al-Quran (nagham al-Quran) produces the effect of the reader's feelings, sensational feelings and spiritual feeling. Spiritual feeling is divided into religious, ethical, aesthetic, intellectual, social, and personal feeling. Meanwhile, in the aspects of communication generate understanding and scientific knowledge about the principles of transcendent communication, the principle of spiritual communication, the principle of human communication, and finally lead to the Principle of Quranic Communication.
《古兰经》文体学:交际语境下《古兰经》阅读艺术的象征意义与功能
古兰经文体学的研究离不开古兰经文体学作为古兰经语言的一种独特和特权的概念。当《古兰经》传到阿拉伯社会时,他们已经使用了高级语言和文学。随着《古兰经》(nagham al-Quran)阅读艺术在世界范围内的兴起,它被认为是欣赏《古兰经》的一种形式,印度尼西亚的穆斯林欣然接受并欣赏它。由各级政府和民间组织共同举办的《古兰经》(Musabaqoh Tilawatil Quran, MTQ)定期、持续地进行。作为一部宗教文本,《古兰经》具有很高的文学维度。《古兰经》也有一些美学和音乐信息的维度。本文试图从单声诵读《古兰经》艺术、无乐器伴奏、与音色无关等方面探讨语言的文体风格。这是专门用来写《古兰经》的。本研究中使用的方法是Al-Uslub al-Adabi或Literary Stilistica,其重点是持久性或音韵学水平,其中包括语音学和音位学。语音学分为三个部分,即;发音语音学,声学语音学和听觉语音学。文学文体学的探讨离不开情感方面,而离不开逻辑方面。对《古兰经》阅读艺术中的文学文体学分析,产生了读者情感、煽情和精神感受的效果。精神情感分为宗教情感、伦理情感、审美情感、智力情感、社会情感和个人情感。同时,在传播学方面产生了对超验传播原则、精神传播原则、人际传播原则的理解和科学认识,最终形成了《古兰经》传播原则。
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