Quotations of Classical Music as the Basis of Leit-Thematism in the Film Interpretation of Leo Tolstoy’s Novel “Anna Karenina” (USA, 1997, Directed by B. Rose)

Pan-Art Pub Date : 1900-01-01 DOI:10.30853/pa20210004
D. Aleksandrova
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Abstract

The paper aims to analyse the use of classical musical works as the main leitmotifs, as well as the influence of the music chosen by the creators of the film on the viewer’s perception of onscreen action. The scientific novelty of the study lies in choosing for analysis Bernard Rose’s film “Anna Karenina” (USA, 1997) based on the eponymous novel by Leo Tolstoy, the musical component of which involves exclusively classical music. As a result of the study, the author comes to the conclusion that the use of fragments from P. Tchaikovsky’s Symphony No. 6 and S. Rachmaninoff’s “Elegy” as the main leitmotifs allowed the director to make the film more spiritual, profound and closer to the Russian worldview.
古典音乐语录作为主题主义的基础——对托尔斯泰小说《安娜·卡列尼娜》的电影诠释(美国,1997年,b·罗斯导演)
本文旨在分析古典音乐作品作为主要主题的使用,以及电影创作者选择的音乐对观众对屏幕动作感知的影响。这项研究的科学新颖之处在于选择伯纳德·罗斯根据列夫·托尔斯泰的同名小说改编的电影《安娜·卡列尼娜》(美国,1997年)作为分析对象,其中的音乐成分完全涉及古典音乐。通过研究,笔者认为柴可夫斯基的《第六交响曲》和拉赫玛尼诺夫的《挽歌》的片段作为主要的主题,使导演的电影更加精神、深刻,更接近俄罗斯人的世界观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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