Narrativization of Trauma as Performance in Modiain

Laxmi Regmi
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Abstract

This study scrutinizes and analyzes Mahabharata War from the perspective of performance studies. The text chosen for analysis is a seminal work of Bishweshwor Prasad Koirala as a satire against war, Modiain. The paper intends to show the violence, futility of war, enormous pain, fear, estrangement, unhappiness and shadow of war hanging in the mind of survivors mainlywomen. The specter of Nari narrats the war scene where the battlefield glistened and blurred like vapor coming out of hell. The agony of widowhood and looking for their lovers are other nodal points of the research. Further, war invites violation which is very chilling issue and the performance of war is very destructive. The events are deeply felt with pain when Nari narrates the war scene in the form of spirit.
创伤叙事在当代的表现
本研究从绩效研究的角度来审视和分析《摩诃婆罗多之战》。选来分析的文本是Bishweshwor Prasad Koirala作为对战争的讽刺的开创性作品,莫迪。本文旨在表现战争的暴力、战争的徒劳、巨大的痛苦、恐惧、疏远、不幸和战争的阴影笼罩在幸存者(主要是女性)的心中。Nari的幽灵讲述了战争场景,战场闪闪发光,模糊得像从地狱里冒出来的蒸汽。丧偶的痛苦和寻找爱人是这项研究的另一个节点。此外,战争招致侵犯,这是一个非常令人不寒而栗的问题,战争的表现是非常具有破坏性的。当Nari以精神的形式叙述战争场景时,这些事件深深地感受到痛苦。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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