Inwards as the way out? Sources of suffering and the protagonists’ coping strategies in Bartleby, the Scrivener by Herman Melville, My Year of Rest and Relaxation by Ottessa Mosfegh and The New Me by Halle Butler

Malina Załużna-Łuczkiewicz
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Abstract

The article aims to show analogies between three literary works: Bartleby, the Scrivener: A Story of Wall Street by Herman Melville, My Year of Rest and Relaxation by Ottessa Mosfegh and The New Me by Halle Butler. I will focus on the following points of convergence in these texts: surveillance, the nature of work and the effectiveness of the protagonists’ coping strategies. I will draw on some of the existing literature on Bartleby, the works of Francesco Berardi and David Graeber on work, Barbara L. Fredrikson and Tomi-Ann Roberts’ paper on the objectification of female body as well as Michel Foucault’s study of surveillance and Jonathan Crary’s book on sleep.
向内作为出口?《巴特比》、赫尔曼·梅尔维尔的《记录者》、奥黛莎·莫斯菲格的《我的休息和放松的一年》和哈雷·巴特勒的《新我》中痛苦的来源和主人公的应对策略
这篇文章旨在展示赫尔曼·梅尔维尔的《书记员巴特比:华尔街的故事》、奥特萨·莫斯菲格的《我的休息和放松的一年》和哈雷·巴特勒的《新我》这三部文学作品之间的相似性。我将集中讨论这些文本的以下共同点:监督、工作性质和主角应对策略的有效性。我会参考一些关于巴特比的现有文献,弗朗西斯科·贝拉尔迪和大卫·格雷伯关于工作的著作,芭芭拉·l·弗雷德里克森和托米-安·罗伯茨关于女性身体物化的论文以及米歇尔·福柯关于监控的研究以及乔纳森·克拉里关于睡眠的书。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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