Good practice of making art and culture accessible to the deaf and hard of hearing, on the example of the Deafland exhibition at the Silesian Museum in Katowice

Agnieszka Kołodziejczak
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Abstract

The issue of the accessibility of culture and art for deaf and hard of hearing people is the topic of the implementation doctoral dissertation conducted by the author of the article under the supervision of dr hab. prof. University of Lodz Aneta Pawłowska as part of the Doctoral School of Humanities at the University of Lodz and the Association Social Support "Ja-Ty-My" in Lodz entitled: The problem of accessibility of information in public institutions and social economy entities in the field of culture and art for people with hearing loss and disabilities in Poland. Recommendations and standards. The article is an attempt to look from the point of view of a researcher - a deaf person - insider, at the issue of the broadly understood accessibility and significance of the Deafland (Głusza) exhibition at the Silesian Museum in Katowice (a breakthrough in Poland in terms of the subject matter and the model of available technical solutions for people with special needs).
以卡托维兹西里西亚博物馆的“聋人之地”展览为例,使聋人和听力障碍者能够接触艺术和文化的良好做法
聋人及听障人士的文化艺术无障碍问题是本文作者在hab博士指导下进行的实施博士论文的主题。罗兹阿内塔大学教授Pawłowska作为罗兹大学人文博士学院和罗兹社会支持协会“Ja-Ty-My”的一部分,题为“波兰听力损失和残疾人在文化和艺术领域的公共机构和社会经济实体获取信息的问题”。建议和标准。这篇文章试图从一个研究人员——一个聋人——内部人士的角度,来看待卡托维兹西里西亚博物馆(Silesian Museum)的Deafland (Głusza)展览的可及性和意义,这是波兰在主题和为有特殊需要的人提供技术解决方案方面的突破。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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