Comparative Analysis of Twilight in Delhi and A Passage to India through the Lens of Stylistics and Postcolonialism

Aseem Majid Rizvi, A. Khan, Javeriya Hussain
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Abstract

While focusing on the postcolonial discourse, a comparative analysis of A Passage to India(1924) and Twilight in Delhi (1940) has been carried out.The former writing was composed by western author E.M. Forster while the latter was written by South Asian author Ahmed Ali. In both writings, the center of focus is the effects left by colonizers on colonized land,specifically in terms of culture, norms, and values. In order to complete the study in a profound manner, a qualitative approach has been employed in which description, analysis, narrative devices and definitions are utilized as research tools to affirm the deductive approach of the study. The paper is analyzed through postcolonial perspectives with a focus on discourse and stylistics viewpoints of the texts. Political, cultural,communal, social, and religious conditions of the subcontinent are unfolded from the standpoints of informant and colonizers with the implication of dichotomous critique while looking at the miserable situation of the Asian colonized region. As one author belongs to the class of colonizers and the other has its roots in colonized land, the study has explored various similar as well as contrasting elements from the novels.
从文体学和后殖民主义的角度比较分析《德里的黄昏》和《印度之行》
在关注后殖民话语的同时,对《印度之行》(1924)和《德里黄昏》(1940)进行了比较分析。前者由西方作家E.M.福斯特创作,后者由南亚作家艾哈迈德·阿里创作。在这两篇文章中,重点都是殖民者对被殖民土地的影响,特别是在文化、规范和价值观方面。为了更深入地完成研究,本文采用了定性方法,将描述、分析、叙事手段和定义作为研究工具,以肯定研究的演绎方法。本文从后殖民的角度进行分析,重点关注文本的话语和文体学观点。在审视亚洲被殖民地区悲惨处境的同时,从信息提供者和殖民者的角度,以二元批判的方式,展现了次大陆的政治、文化、公共、社会和宗教状况。由于一个作者属于殖民者阶级,另一个作者扎根于被殖民的土地,因此本研究从小说中探索了各种相似和对比的元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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