Migrant Musicians. Transnationality and Hybrid Identities Expressed through Music

K. Golemo
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Abstract

Migrant musicians contribute to the intercultural wealth of the societies they live in. They manifest their hybrid identities and convey transnational experiences through different forms of musical expression. On the one hand, they (re)discover their musical culture of origin and reinterpret it from a new, cosmopolitan perspective. On the other, their making music and experiencing music enable them to construct an “inner homeland” to identify with, while living abroad in constant balance (or contradiction) between cultures. Based on existing works originating from different national settings this essay aims to synthetically describe the relationship between migrants’ musical expression and different manifestations of cultural belonging. Its main focus lies in how hybrid transnational identities may be expressed through music. It also addresses the redefinition and reinterpretation of migrants’ musical traditions in the cosmopolitanized city of Lisbon, with a special regard to the Cape Verdean diaspora as a community shaped by music.
移民的音乐家。通过音乐表达的跨国和混合身份
移民音乐家为其所在社会的跨文化财富做出了贡献。他们通过不同形式的音乐表达,彰显自己的混血身份,传递跨国经验。一方面,他们(重新)发现他们的音乐文化的起源,并重新诠释它从一个新的,世界性的视角。另一方面,他们的音乐创作和音乐体验使他们能够构建一个“内心家园”来认同,而在国外生活在不同文化之间的不断平衡(或矛盾)中。本文旨在以不同民族背景下的现有作品为基础,综合描述移民的音乐表达与文化归属感的不同表现之间的关系。它的主要焦点在于如何通过音乐来表达混合的跨国身份。它还讨论了重新定义和重新解释在里斯本这个国际化的城市中移民的音乐传统,特别关注佛得角侨民作为一个由音乐塑造的社区。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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