{"title":"Appropriated Bodies: Trauma, Biopower and the Posthuman in Octavia Butler’s “Bloodchild” and James Tiptree, Jr.’s “The Girl Who Was Plugged In”","authors":"María Ferrández San Miguel","doi":"10.28914/atlantis-2018-40.2.02","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":172515,"journal":{"name":"Atlantis. Journal of the Spanish Association for Anglo-American Studies","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Atlantis. Journal of the Spanish Association for Anglo-American Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.28914/atlantis-2018-40.2.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}