Expressions of Fear in Children and Early Adolescence

Emel Yurtkulu
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Abstract

This research aims to define the changing appearance of illustration, through one of its early field of application—children and early adolescence books, in terms of fear. Perceiving the expressions of fear through current children and early adolescence publications and related events is es-sential. Being that, even illustration’s taking part in various fields other than the common ones has only a quarter century past, its relation with fear can be seen in the very early works. On the other hand, even the appearances in current production methods change amid developments, encountering with the appearance of fear increasingly continues. Visualization of the concept of fear seems to be deeply connected with the history of visual production methods of hu-mankind so instead of sorting out this relation it becomes more complex as various approaches add up through time. The aim of this research is to contextualize the subject with its reasons, within the context of accessible, recognizable publishers and relevant events, through outstanding examples and to examine its evolution from contemporary to future work. Alongside visual research methods, related examples are evaluated and referred to relevant indications. Therefore, examining these interrelated topics in course of time through various examples, not only analysis of visual pro-duction methods is completed but going beyond situation assessment, it is expected to contribute to future production procedures by putting forward findings.
儿童和青少年早期的恐惧表达
本研究旨在定义插画的变化外观,通过其早期应用领域之一的儿童和青少年早期的书籍,在恐惧方面。通过当前儿童和青少年早期出版物和相关事件来感知恐惧的表达是非常重要的。正因为如此,即使插图参与到不同的领域,而不是普通的领域,也只有四分之一个世纪的历史,它与恐惧的关系可以在早期的作品中看到。另一方面,即使是目前生产方法中的表象也随着发展而变化,遭遇恐惧的表象也越来越持续。恐惧概念的可视化似乎与人类视觉制作方法的历史有着深刻的联系,因此,随着时间的推移,各种方法的累积,这种关系变得更加复杂。本研究的目的是通过杰出的例子,在可访问的,可识别的出版商和相关事件的背景下,将主题及其原因置于背景中,并检查其从当代到未来工作的演变。除了视觉研究方法外,还评估了相关示例并参考了相关适应症。因此,随着时间的推移,通过各种例子检查这些相互关联的主题,不仅完成了视觉制作方法的分析,而且超出了情况评估,预计将通过提出发现来为未来的制作程序做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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