Winking, allusions, and anagrams: Translating character names in Harry Potter

Dawn M. Cornelio
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Abstract

In Harry Potter, J.K. Rowling presents to readers a foreign world in the familiar setting of England with a wide array of characters who have a wide variety of names. Harry Potter is challenging for translators who must translate character names while maintaining a balance between the foreign and the familiar, as does Rowling. Rowling’s work is identified as a piece of ‘kiddult’ literature where it is directed at both adults and children. Additionally, Rowling is described as winking at adults through her use of allusions in character names. Some translators argue in favour of localizing all character names in the target language while others argue for the direct transfer of names from English to the translation. This paper argues in favour of a balance between localization and direct transfer (or globalization) in the translation of texts like Harry Potter. After a comparison of the literature, a translation model is presented to aid translators in establishing a balance between localization and direct transfer by providing specific situations in which it is advisable to translate character names and when it is advisable to directly transfer character names into the translation.
眨眼、典故和字谜:翻译《哈利波特》中的角色名字
在《哈利·波特》中,J.K.罗琳在熟悉的英国背景下为读者呈现了一个陌生的世界,书中有形形色色的人物,他们的名字也各不相同。《哈利波特》对译者来说是一个挑战,他们必须在翻译角色名字的同时保持陌生和熟悉之间的平衡,罗琳也是如此。罗琳的作品被认为是“成人”文学作品,既针对成人,也针对儿童。此外,罗琳被描述为通过在角色名字中使用典故来向成年人眨眼。一些翻译人员主张将目标语言中的所有角色名称本地化,而另一些人则主张将名称从英语直接转移到翻译中。本文主张在《哈利波特》等文本的翻译中,在本土化和直接转移(或全球化)之间取得平衡。在比较文献的基础上,本文提出了一个翻译模型,通过提供适合翻译角色名和适合直接翻译角色名的具体情况,帮助译者在本土化和直接翻译之间建立平衡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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