“HE GOES” MYKHAJLA KOTSIUBYNSKOGO AS A STORY ABOUT LONENESS BEFORE EVIL

Matvij Sokal’
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Abstract

The article deals with the analysis and interpretation of Mykhailo Kotsiubynsky`s short story «Vin ide» («He Goes»). The analysis is focused on ways in which the researched text shows human`s solitude in the face of evil, and also on related to it biblical reminiscences and allusions. The author of the article gives rich illustrative material in order to reinforce his thoughts concerning the main ideas of Mykhailo Kotsiubynsky`s short story «Vin ide» («He Goes»). Deep understanding of the main heroes of the short story, their characters, their needs, their feelings, and their experience gives possibility for the author to develop the perspectives of their inner world. The author singled out special elements of literary description in the article and the narration, which enlarges the distance through the storing antithetical images. The author pays special attention to the parodic playful elements and the expressive role of biblical allusions is highlighted on external "universality" to the world of heroes (biblical allusions are barely visible in Yosel's image and not quite bright in the image of Abrum, biblical allusions acquire full expressiveness in the character of Esther). Analyzing the development of the actions of the main characters of the novel from the perspective of antithetical symbolism, the author of the article draws attention to the conflicts between the characters, and dwells on the characteristics of Estherka's monologue. The author of the article pays special attention to the particular heterogeneity of M. Kotsyubynskyi's work, which is often "disguised" by its consistency, to the impressionistic character of the work and to its stylistic dominance. The author of the article considers using the method of description proposed by Roman Ingarden, namely the concept of two-dimensionality and four-layeredness of the artistic text as a starting point for the study rhetorical devices in the text.
《他走》(mykhajla kotsiubynskogo)是一个关于孤独先于邪恶的故事
本文对米哈伊洛·科图宾斯基的短篇小说《他去了》进行了分析和解读。重点分析研究文本在面对邪恶时表现人类孤独的方式,以及与之相关的圣经回忆和典故。这篇文章的作者提供了丰富的说明性材料,以加强他对米哈伊洛·科图宾斯基的短篇小说《他去》的主要思想。对小说主人公的性格、需求、情感和经历的深刻理解,使作者有可能发展他们内心世界的视角。作者在文章和叙事中挑出了独特的文学描写元素,通过对对立形象的储存扩大了距离。作者特别注重戏仿的戏谑元素,圣经典故的表达作用被强调在英雄世界的外部“普遍性”上(圣经典故在Yosel的形象中几乎看不到,在Abrum的形象中也不太明亮,圣经典故在以斯帖的角色中得到了充分的表达)。本文从对立象征主义的角度分析了小说中主要人物的行为发展,关注了人物之间的冲突,并探讨了埃丝瑟卡独白的特点。本文的作者特别关注Kotsyubynskyi作品的特殊异质性,这种异质性经常被其一致性“伪装”,以及作品的印象派特征及其风格优势。本文作者考虑用英加登的描写方法,即艺术文本的二维四层概念作为研究文本修辞手法的出发点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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