Appropriation in Islamic State Propaganda: A Theoretical and Analytical Framework of Types and Dimensions

Bernd Zywietz, Yorck Beese
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Abstract

The concept of ‘appropriation’ offers an insightful analytical approach to so-called Islamic State’ (IS)’s media work and texts as propaganda. However, ‘appropriation’ bears a vast ambiguous range of meanings. Therefore, we propose three broad types of appropriation in order to clarify the term: interpretative, practical, and expressive appropriation. After discussing the notion of ISIS as an ideologically and epistemologically threatening ‘appropriator’ and criticizing the notion or metaphor of IS’s “Hollywood” propaganda we distinguish and exemplify different dimensions of appropriation in the area of IS’s ‘public relations’. By doing so and based on our research of IS video propaganda we aim to offer a systematic framework to describe and analyse jihadi communication as strategic or rhetoric communication as much as a cultural representative means of production and expression.
伊斯兰国宣传中的挪用:类型与维度的理论与分析框架
“挪用”的概念为所谓的伊斯兰国(IS)的媒体工作和作为宣传的文本提供了一种富有洞察力的分析方法。然而,“挪用”一词的含义却非常模糊。因此,我们提出了三种广泛的挪用类型,以澄清这一术语:解释性挪用、实践性挪用和表达性挪用。在讨论了ISIS作为意识形态和认识论威胁的“占有者”的概念,并批评了IS的“好莱坞”宣传的概念或隐喻之后,我们在IS的“公共关系”领域区分并举例说明了不同的挪用维度。通过这样做,并基于我们对IS视频宣传的研究,我们的目标是提供一个系统的框架来描述和分析圣战传播作为战略或修辞传播以及生产和表达的文化代表性手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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