A Study on the Development and Operation of Composition Liberal Arts Courses for Non-Music Major Students

Jae-Hong Lee
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Abstract

This study aims to discuss the various advantages and problems that have emerged through the development and operation of a course called “Understanding Music through Composition Experience”, which was opened as a liberal arts course for college students without majoring in music at universities, and to suggest directions for development and improvement. In this three-step class, “Basic Music Theory, Melody Composition Method, Garage Band Application”, the basic music theory essential for composition was found out through the course operation, and melody composed by students were compared according to Schoenberg's tonal music composition theory. I tried to apply the melody and harmony created here to the Garage Band, and analyzed the satisfaction of the students. In conclusion, basic music theory regarding tonality, scale, and pitch interval is considered important for practical composition ability, more practice on rhythm and time is required, and emphasis should be placed on harmony with chords in melody composition. This study is meaningful in suggesting future development directions for creative music classes as liberal arts subjects in universities and class design using smart phone application.
非音乐专业学生作曲文科课程的开发与运作研究
本研究旨在探讨大学开设的非音乐专业大学生文科课程“通过作曲体验理解音乐”课程在开发和运营过程中出现的各种优势和问题,并提出发展和改进的方向。在“音乐基础理论、旋律创作方法、车库乐队应用”这三步课中,通过课程操作找出了作曲所必需的基本音乐理论,并根据勋伯格的调性音乐创作理论对学生创作的旋律进行了比较。我尝试将在这里创作的旋律和和声运用到Garage Band中,并分析学生的满意度。综上所述,关于调性、音阶、音程的基础音乐理论对于实际作曲能力的培养是很重要的,在节奏和时间上需要更多的练习,在旋律作曲中要注重与和弦的和谐。本研究对于高校文科创意音乐课程的未来发展方向以及智能手机应用的课堂设计具有一定的指导意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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