COMPARATIVE STUDY OF THE ILLUSTRATIONS OF THE NOVEL INVESTITURE OF THE GODS BASED ON WOODBLOCK EDITIONS AND POPULAR PRINTS NIANHUA

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI:10.21638/11701/9785288062049.13

E. Zavidovskaia, D. Maiatskii

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Abstract

The authors of this paper discuss visual material based on the plot of the Ming dynasty novel Investiture of the Gods (Fengshen yanyi, 封神演義), formed on the basis of large corpus of written historical works and Song-Yuan vernacular literature. Various illustrated woodblock and lithographic editions of the novel (published before 1911) are discussed in chronological order with focus on the special features and artistic level of their illustrations, whose content and technique are compared. Popular woodblock prints nianhua from Russian collections are examined in order to trace whether connections with book illustrations exist and what episodes of the novel became more popular and for what reason. The paper refers to materials stored in prominent libraries, museums and research centers of Russia, Europe, US and Asia.

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以木刻版和通俗版画《年画》为例的小说《神的外衣》插图比较研究

本文以明代长篇小说《风神演义》的情节为背景，在大量历史著作和宋元白话文学的基础上进行视觉素材的探讨。本文按时间顺序讨论了1911年以前出版的小说的各种木版和平版插图，重点讨论了其插图的特点和艺术水平，并对其内容和技术进行了比较。从俄罗斯收藏的流行木版版画年画进行研究，以追踪是否存在与书籍插图的联系，以及小说的哪些情节变得更受欢迎，以及出于什么原因。本文参考了俄罗斯、欧洲、美国和亚洲著名图书馆、博物馆和研究中心的资料。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES

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