Exploring the Muffled Voice in Fire on the Mountain

R. Saikia
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Abstract

 Abstract — Literature is the finest manifestation of human experience, thinking patterns and social norms prevalent in the society. Fiction being an effective and popular literary genre voices the social consciousness and social situation and thus it becomes a handy tool of social criticism. Indian literature spans a rich variety of themes and issues of considerable interest. Many novelists writing in English has contributed to its growth and enrichment of Indian literature leading to occupy a place of admiration in the world literature. Winner of the Sahitya Academy Award and a number of coveted national and international prizes, Desai occupies a well established position in the canon of contemporary Indian English writing. The masterpiece, Fire on the Mountain is a marvellous one which beautifully illustrates the intricacies of human relationship. The protagonist, Nanda Kaul is a victim of husband’s humiliation and negligence. The novel ends with an utter despairing note that Nanda Kaul’s struggle from self adjustment to self alienation seems to be bizarre futile and meaningless. The paper seeks to examine the victimized self of women and her quest for identity by subverting the constructed norms of patriarchal society. Further, the study attempts to present the articulated voice of the women to challenge male hegemony in the process of establishing individualism
探索《山上的火》中低沉的声音
摘要-文学是人类经验、思维模式和社会规范在社会上的最佳体现。小说作为一种有效而受欢迎的文学体裁,表达了社会意识和社会状况,成为社会批评的便利工具。印度文学涵盖了丰富多样的主题和令人感兴趣的问题。许多用英语写作的小说家为印度文学的发展和丰富做出了贡献,从而在世界文学中占据了令人钦佩的地位。德赛是萨希提亚学院奖和许多令人垂涎的国内和国际奖项的获得者,在当代印度英语写作的经典中占有很好的地位。代表作《山上的火》是一部精彩绝伦的作品,它完美地阐释了错综复杂的人际关系。主人公南达·考尔是丈夫的羞辱和疏忽的受害者。小说以彻底绝望的注释结束,南达·考尔从自我调整到自我异化的斗争似乎是奇异的徒劳和无意义的。本文试图通过颠覆父权社会建构的规范来审视女性的受害者自我和她对身份的追求。进一步,本研究试图呈现女性在确立个人主义过程中挑战男性霸权的清晰声音
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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