Digital Communication in a GIF Culture

Gabriele Prosperi
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引用次数: 2

Abstract

GIF can be defined as a moving image characterized by brevity, repetition (loop), and an apparently low informative content; used as a pseudo-linguistic element, GIF is able to re-mediate a pre-existing text and to resemanticize it. The image originates from a process of decontextualization of an audiovisual element, quoting or referring to the original text (Uhlin) – taken from television, cinema, video art, or homemade. The fragment is then assigned with a new specific meaning, when it is used for a communicative purpose (especially on social networks), acting as a container of variable information designated to substitute articulate colloquial elements both emotional or explanatory. Through the analysis of the possible uses of GIF online, which exemplifies the actual concepts of post-truth and remix, the contribution aims to identify the communicative properties of the object, collecting cases within specific social platforms. GIF appears as a behavioral crossroad of contemporaneity, both in terms of re-use of creative contents and of demystification of current facts.
GIF文化中的数字通信
GIF可以定义为以简短、重复(循环)和明显低信息量内容为特征的运动图像;作为一种伪语言元素,GIF能够修复已有的文本并使其相似。图像源于对视听元素的去语境化过程,引用或参考原始文本(Uhlin) -取自电视,电影,视频艺术或自制。当片段被用于交际目的(尤其是在社交网络上)时,它被赋予了一个新的特定含义,作为一个可变信息的容器,被指定用来替代情感或解释性的口语化元素。通过分析GIF在网络上的可能用途,它体现了后真相和混音的实际概念,贡献旨在识别对象的传播属性,收集特定社交平台内的案例。GIF表现为当代性行为的十字路口,无论是在创造性内容的再利用方面,还是在对当前事实的去神秘化方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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