Public imagination as a modern mechanism of solidarization in the Ukrainian nation

T. Novachenko
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Abstract

The article is devoted to the pressing issue of defining modern solidarity mechanisms in the Ukrainian nation, one of which is the public imagination. The methodological basis of the presented intelligence is the scientific work of C.G. Jung, the founder of one of the philosophical concepts of the collective unconscious; the work of French scientist – G. Durand, author of the concept of l’imaginaire – imaginary, who emphasizes that the world around us is the result of a free play of imagination, and modern French sociologist M. Maffesoli, – a cross-cutting problem of his research also poses the phenomenon of its social imaginary embodiment in social and symbolic forms, and several Ukrainian architects – E. Afonin, D. Zaiets, A. Martynov, V. Pliushch, V. Tancher. Based on the analysis of the presented works, the author has obtained the basis for developing a unique “ontology of the imager” – an imaginary image that is always specific. One or another “colour” of the imaginary image gives the semantic meanings that a person remembers following particular objects of reality, including political, as well as a generalized imaginary image as an ideal of actions, thoughts, feelings, and behaviour corresponding to the archetype “Self”, determining the psychological integrity of the individual. It has been confirmed that a person remembers only the most essential characteristics of an object, which constitute a “complete” imaginary image. Still they may lose touch with a particular object, retaining its typical features. This fact makes it possible to state that the type of generalized imaginary image appears as a social imaginary that influences reality creation. At the same time, due to horizontal social ties and the diversity of the individual imagination, “organic” (according to E. Durkheim) solidarity is achieved, which is a kind of strategy to mobilize society, especially in times of severe crises or threats. The public imagination is a “complete” imaginary image, which may lose touch with a particular object but retain its typical features, which allows us to determine its archetypal matrix and modern mechanism of solidarity of the Ukrainian nation.
公众想象是乌克兰民族团结的现代机制
本文致力于定义乌克兰民族现代团结机制的紧迫问题,其中之一是公众的想象。表象智力的方法论基础是C.G.荣格的科学工作,他是集体无意识哲学概念之一的创始人;法国科学家杜兰德(G. Durand)提出了“想象”(l’imaginaire)的概念,他强调我们周围的世界是想象力自由发挥的结果;法国现代社会学家马菲索利(M. Maffesoli)的研究也提出了社会想象以社会和象征形式体现的现象,还有几位乌克兰建筑师——E. Afonin、D. Zaiets、a . Martynov、V. Pliushch、V. Tancher。通过对所呈现作品的分析,作者获得了发展独特的“意象者本体”的基础——一种总是特定的想象形象。想象图像的一种或另一种“颜色”赋予了一个人记住的特定现实对象(包括政治)的语义含义,以及作为与原型“自我”相对应的行动、思想、感觉和行为的理想的广义想象图像,决定了个人的心理完整性。已经证实,一个人只记得一个物体最基本的特征,这些特征构成了一个“完整的”想象形象。然而,他们可能会失去与特定对象的联系,保留其典型特征。这一事实使我们有可能说,广义想象形象的类型是作为一种影响现实创造的社会想象出现的。同时,由于横向的社会联系和个体想象力的多样性,实现了“有机的”(根据涂尔干的说法)团结,这是一种动员社会的策略,特别是在严重的危机或威胁时期。公众想象是一个“完整”的想象形象,它可能与特定的物体失去联系,但保留其典型特征,这使我们能够确定其原型矩阵和乌克兰民族团结的现代机制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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