{"title":"Особливості реставрації великогабаритних ліплених посудин (досвід використання\n 3D-моделювання в реставрації)","authors":"Анатолій Волков, Поліна Петрашина","doi":"10.52213/archaeologicalceramology.vi1-2.70","DOIUrl":null,"url":null,"abstract":"Подано інформацію про застосування методів фотограмметрії, зокрема 3D-моделювання,\n підчас реставрації ліпленого глиняного посуду. Поетапно розглянуто процес створення\n тривимірноїмоделі та її практичне використання під час реставраційних робіт. \n Сonservation of archaeological handmade ware, especially of the large size, has certain\n featuresand difficulties due to firing at low temperatures and the composition of the\n molding mass (the clay wascoarse with large inclusions).Such vessels usually come to our\n time in a worse condition than pottery, mostly in a form ofa collapses broken into many\n fragments, with a fragile surface, so they require a special approach to thechoice of\n methods, techniques and materials used for their restoration. In such cases the main\n task forthe conservator is to find such methods of working with handmade vessels, which\n on the one hand wouldbe completely safe, on the other – would provide the comprehensive\n study, restoration and preservationof broken archaeological ceramics.It should be noted\n that with the development of digital technologies in archaeology and restoration,the\n methods of photogrammetry used in non-invasive research of archaeological sites have\n spread.The article deals with the application of photogrammetry methods, in particular\n 3-d modeling duringrestoration work with handmade ware of a large sizes. We try to\n describe in detail the way of creatinga three-dimensional model at the stage of\n photo-fixation of the archaeological vessel before the beginningof restoration measures\n using as the example the handmade large pot (korchaga) of Sabatyn culture ofthe Late\n Bronze Age.In our case, a three-dimensional model of the exhibit was created to simplify\n the selection of fragmentsfor gluing (almost similar in shape and size) before the\n dismantling of a partially glued exhibit of 147fragments. Prior to photography, all\n fragments of the vessel were marked with paper stickers.Agisoft Photoscan v1.4.4\n software was used for 3D reconstruction of the object.","PeriodicalId":308645,"journal":{"name":"Scientific journal \"Archaeological ceramology\"","volume":"22 3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scientific journal \"Archaeological ceramology\"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52213/archaeologicalceramology.vi1-2.70","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Подано інформацію про застосування методів фотограмметрії, зокрема 3D-моделювання,
підчас реставрації ліпленого глиняного посуду. Поетапно розглянуто процес створення
тривимірноїмоделі та її практичне використання під час реставраційних робіт.
Сonservation of archaeological handmade ware, especially of the large size, has certain
featuresand difficulties due to firing at low temperatures and the composition of the
molding mass (the clay wascoarse with large inclusions).Such vessels usually come to our
time in a worse condition than pottery, mostly in a form ofa collapses broken into many
fragments, with a fragile surface, so they require a special approach to thechoice of
methods, techniques and materials used for their restoration. In such cases the main
task forthe conservator is to find such methods of working with handmade vessels, which
on the one hand wouldbe completely safe, on the other – would provide the comprehensive
study, restoration and preservationof broken archaeological ceramics.It should be noted
that with the development of digital technologies in archaeology and restoration,the
methods of photogrammetry used in non-invasive research of archaeological sites have
spread.The article deals with the application of photogrammetry methods, in particular
3-d modeling duringrestoration work with handmade ware of a large sizes. We try to
describe in detail the way of creatinga three-dimensional model at the stage of
photo-fixation of the archaeological vessel before the beginningof restoration measures
using as the example the handmade large pot (korchaga) of Sabatyn culture ofthe Late
Bronze Age.In our case, a three-dimensional model of the exhibit was created to simplify
the selection of fragmentsfor gluing (almost similar in shape and size) before the
dismantling of a partially glued exhibit of 147fragments. Prior to photography, all
fragments of the vessel were marked with paper stickers.Agisoft Photoscan v1.4.4
software was used for 3D reconstruction of the object.
Подано інформацію про застосування методів фотограмметрії, зокрема 3D-моделювання, підчас реставрації ліпленого глиняного посуду.在Сonservation archaeological area 中,"С "和 "С "的意思是"......",而不是"......"。 由于在低温下烧制以及成型材料的成分(粘土较粗且含有大量夹杂物),考古手工器皿(尤其是大型器皿)的保存具有一定的特点和困难。这些器皿通常比陶器的保存状况更差,大多以坍塌的形式破碎成许多碎片,表面很脆弱,因此在选择修复方法、技术和材料时需要采取特殊的方法。在这种情况下,保护者的主要任务是找到处理手工器皿的方法,一方面要保证完全安全,另一方面要对破碎的考古陶瓷进行全面的研究、修复和保护。需要指出的是,随着考古学和修复领域数字技术的发展,用于考古遗址非侵入式研究的摄影测量方法也得到了推广。我们试图以青铜时代晚期萨巴廷文化的手工大罐(korchaga)为例,详细描述在开始修复措施之前,在对考古器皿进行照片固定阶段创建三维模型的方法。在我们的案例中,我们创建了展品的三维模型,以简化在拆除由 147 块碎片组成的部分胶合展品之前,选择碎片进行胶合(形状和大小几乎相似)的工作。在拍照之前,所有器皿碎片都用纸贴做了标记,并使用 Agisoft Photoscan v1.4.4 软件对文物进行三维重建。