SONG OF HUMAN VIRTUES(ARTISTIC INTERPRETATION OF HADITHS IN MAHBUB UL-QULUB)

AhadxonMahmudovich Muhammadiyev
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Abstract

Navoi's work is valuable and noteworthy as a reflection of the philosophical and artistic think-ing of the period, as a product of conceptual views and research of a talented person. In his poems he meets a philosopher, a lover, a beggar, the owner of a crushed heart; to see time, its vortex, its destruction; the ruins of wickedness, and the radiant waves of goodness. Navoi's lyrical protago-nist is himself. It is as if he set out on a voyage in a vast ocean (world) with his ship (creation). This journey (life) forces him to draw conclusions about himself, the ocean (the world), the people of the ocean (humanity), and its variations and flashes (storm, flood, clarity, and so on). Key words: mature muhaddith, tyrant, apocalyptic area, Eastern poets, poetic manifestation, literary communication and interaction, the spirit of the work
人类美德之歌(mahbub ul-qulub中圣训的艺术诠释)
纳沃伊的作品是有价值的,值得注意的,因为它反映了那个时期的哲学和艺术思想,作为一个有才华的人的概念观点和研究的产物。在他的诗中,他遇到了一个哲学家,一个情人,一个乞丐,一个破碎的心的主人;去看时间,它的漩涡,它的毁灭;邪恶的废墟,良善的光波。纳沃伊的抒情主角就是他自己。这就好像他带着他的船(创造物)在浩瀚的海洋(世界)中航行一样。这段旅程(生命)迫使他对自己、海洋(世界)、海洋上的人们(人类)以及海洋的变化和闪光(风暴、洪水、清澈等等)得出结论。关键词:成熟圣训、暴君、末世区、东方诗人、诗歌表现、文学交流与互动、作品精神
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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