{"title":"SONG OF HUMAN VIRTUES(ARTISTIC INTERPRETATION OF HADITHS IN MAHBUB UL-QULUB)","authors":"AhadxonMahmudovich Muhammadiyev","doi":"10.26739/2181-1490-2021-2-7","DOIUrl":null,"url":null,"abstract":"Navoi's work is valuable and noteworthy as a reflection of the philosophical and artistic think-ing of the period, as a product of conceptual views and research of a talented person. In his poems he meets a philosopher, a lover, a beggar, the owner of a crushed heart; to see time, its vortex, its destruction; the ruins of wickedness, and the radiant waves of goodness. Navoi's lyrical protago-nist is himself. It is as if he set out on a voyage in a vast ocean (world) with his ship (creation). This journey (life) forces him to draw conclusions about himself, the ocean (the world), the people of the ocean (humanity), and its variations and flashes (storm, flood, clarity, and so on). Key words: mature muhaddith, tyrant, apocalyptic area, Eastern poets, poetic manifestation, literary communication and interaction, the spirit of the work","PeriodicalId":305094,"journal":{"name":"INTERNATIONAL JOURNAL OF ALISHER NAVOI","volume":"302 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"INTERNATIONAL JOURNAL OF ALISHER NAVOI","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26739/2181-1490-2021-2-7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Navoi's work is valuable and noteworthy as a reflection of the philosophical and artistic think-ing of the period, as a product of conceptual views and research of a talented person. In his poems he meets a philosopher, a lover, a beggar, the owner of a crushed heart; to see time, its vortex, its destruction; the ruins of wickedness, and the radiant waves of goodness. Navoi's lyrical protago-nist is himself. It is as if he set out on a voyage in a vast ocean (world) with his ship (creation). This journey (life) forces him to draw conclusions about himself, the ocean (the world), the people of the ocean (humanity), and its variations and flashes (storm, flood, clarity, and so on). Key words: mature muhaddith, tyrant, apocalyptic area, Eastern poets, poetic manifestation, literary communication and interaction, the spirit of the work