"Our Ears Lived Their Own Lives". The Auditory Experience in Breslau Autobiographical Literature during the Third Reich

Augustyns Annelies
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Abstract

With Adolf Hitler coming to power in January 1933, the National Socialists staged their dominance in the city center of Breslau by using various visual and auditory elements - including swastikas, singing, marching, dispersing rumors - to spread their influence and keep the people under control. How were these changes in the city soundscape used for social exclusion and territory-marking? How were they experienced by the Jewish population and how can they be related to questions of identity and (non-)belonging? Addressing these questions with the corpus of autobiographical writings – both diaries and autobiographies – from Jewish victims from the city of Breslau will be the main aim of this article. This study of literary testimonies will focus on the constant and changing sounds of propaganda in Breslau, sound technologies such as radio and loudspeakers used for propaganda, and the relation between sound, identity, and trauma. Augustyns A. "Our Ears Lived Their Own Lives". The Auditory Experience in Breslau Autobiographical Literature during the Third Reich // Avant, Vol. XI, No. 3. doi: 10.26913/avant.2020.03.32
“我们的耳朵有自己的生活”。第三帝国时期布雷斯劳自传体文学中的听觉体验
随着阿道夫·希特勒于1933年1月上台,国家社会主义者利用各种视觉和听觉元素——包括纳粹十字记号、唱歌、游行、散布谣言——在布雷斯劳市中心占据统治地位,以扩大他们的影响力,控制人民。这些城市音景的变化是如何用于社会排斥和领土标记的?犹太人是如何经历这些问题的?它们又如何与身份和(非)归属问题联系在一起?本文的主要目的是用布雷斯劳市犹太受害者的自传体作品——包括日记和自传——来解决这些问题。这次文学见证的研究将集中在布雷斯劳不断变化的宣传声音,用于宣传的广播和扬声器等声音技术,以及声音,身份和创伤之间的关系。Augustyns。“我们的耳朵有自己的生活”。《第三帝国时期布雷斯劳自传体文学中的听觉体验》/《先锋报》第11卷第3期。doi: 10.26913 / avant.2020.03.32
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