On the Exilic Woman in Caryl Phillips's Novels

Kelvin Ngong Toh
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Abstract

sexual Abstract: Caryl Phillips is one writer whose major themes have focused on issues of being Caribbean and being black in spaces that white people have for centuries claimed ownership. To do this, Phillips’s aesthetics, and ideological trends have been dominantly experimental especially in his novel with fragmentation and memory being a major tool to re-historicised caribbeanness and blackness. A reading of Phillips’s fiction and dramatics reveal his attachment and concern about the plight of the woman as she too constitutes part of the search for belonging in Phillips’s world. It is therefore my focus in the paper to discuss the way Phillips represents women as victims of exile in The final passage , Higher ground and Crossing the river . While demonstrating that exilic life is characterised by sexual difference that defines identity, the paper argues that women suffer marginality in exile because of their gender and race.
论卡里尔·菲利普斯小说中的流亡女性
摘要:卡里尔·菲利普斯(Caryl Phillips)是一位作家,她的主要主题是在白人几个世纪以来声称拥有所有权的空间中作为加勒比人和黑人的问题。为了做到这一点,菲利普斯的美学和意识形态趋势主要是实验性的,尤其是在他的小说中,碎片和记忆是重新历史化加勒比和黑人的主要工具。阅读菲利普斯的小说和戏剧会发现他对这个女人的困境的依恋和关注,因为她也构成了菲利普斯世界中寻找归属感的一部分。因此,本文的重点是讨论菲利普斯在《最后的通道》、《高地》和《渡河》中作为流亡受害者的女性的表现方式。在证明流放生活以性别差异为特征,性别差异定义了身份的同时,本文认为,由于性别和种族,妇女在流放中遭受边缘化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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