Hadrah Spirit as an Islamic Arts in the Land of Papua

N. Saidah, Septy Nur Fadhilah
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Abstract

The Land of Papua is synonymous with a non-Muslim population, and it is not uncommon for some people to think that there is no Muslim community in Papua. This assumption is increasingly supported by the inauguration of the capital city of West Papua, Manokwari as a city of the Bible. But on the contrary, the fact is that Islam entered the land of Papua since 1512, even before the entry of other religions. Therefore, in this study research will be conducted regarding the popularity of hadrah art as an Islamic art in Papua which can be used as evidence of the rapid development of Islamic civilization in Papua today. The method used in this research is a qualitative approach. In collecting data using direct observation in the field, survey media in the form of questionnaires and by using literature studies on previous research. From the research results obtained, it can be concluded that the existence of hadrah arts in Papua, especially the city of Manokwari is currently very popular, this is indicated by the many hadrah competitions and festivals being held, the many sholawat majlis which involve hadrah music as accompaniment to the Prophet's sholawat verses, and even the existence of hadrah as an extracurricular activity in educational institutions. The presence of this research is expected to increase one's knowledge of the development of Islam in the land of Papua, one of which is in the field of hadrah art as an Islamic art.
哈德拉精神在巴布亚的伊斯兰艺术
巴布亚土地是非穆斯林人口的代名词,有些人认为巴布亚没有穆斯林社区并不罕见。西巴布亚(West Papua)首都马诺瓦里(Manokwari)作为圣经城市的落成典礼,越来越支持了这一假设。但事实恰恰相反,伊斯兰教早在1512年就进入了巴布亚,甚至早于其他宗教的进入。因此,在本研究中,将对哈德拉艺术作为一种伊斯兰艺术在巴布亚的流行进行研究,这可以作为今天巴布亚伊斯兰文明快速发展的证据。本研究采用的方法是定性方法。在收集数据时,采用实地直接观察、问卷形式调查媒体、文献研究等方法。从所获得的研究结果可以得出结论,在巴布亚,特别是马诺瓦里市,哈德拉艺术的存在目前非常受欢迎,这表明许多哈德拉比赛和节日正在举行,许多sholawat议会涉及哈德拉音乐作为先知sholawat诗句的伴奏,甚至哈德拉作为教育机构的课外活动存在。这项研究的存在有望增加人们对巴布亚土地上伊斯兰教发展的了解,其中之一是作为伊斯兰艺术的哈德拉艺术领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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