“The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern Naples, 1501–1799

Gabriel Guarino
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Abstract

: The present article explores the inter-linkage between social and cultural values, related comportments, and dress in the courts of early modern Europe. More specifically, it examines the two competing cultural models of Spanish and French fashion, and the values and historical processes that determined their respective success in the contemporary courts of Europe in general and of Naples in particular. Owing to the importance of dress in the construction of gender roles, the article assesses the influence of dress among Neapolitan men and women separately. The findings show that men ’ s fashions in Naples grosso modo followed European trends regarding both Spanish and French fashion from the sixteenth to the eighteenth century. Comparatively, female French fashions and their related forms of sociability would only be able to flourish from the reign of Charles of Bourbon onward. If we ask a Spaniard what he thinks of French clothes and their fancy, he will not only hold them to be ill-favored, but will be scandalized at something that causes such joy and lifts the heart; for to see a troop of French upon a festive day dressed in such variety of colors, with a thousand variations of feathers and cameos, embroideries, fringes, orna-ments and gold laces, with so many hundreds of jewels, diamonds, pearls, rubies, emer-alds and topazes that one would think the whole of India was landed on them [ ... ] Yet the Spaniard will say that it is the greatest folly in the world [ ... ] because in Spain the grave style is so much in use, and the colored habit so abhorred, that they force the hang-man to wear a red or yellow livery to mark his shame and infamy. And if we hear the judgment of a Frenchman concerning the dress and style of a Spaniard, he will say that to go always in black is a sign of despair, the mark of a widow, or of a person gone bank-rupt, even though black is one of the most honorable colors and argues modesty, reputation, authority and understanding. 1
“法国人和西班牙人之间的反感”:1501-1799年早期现代那不勒斯宫廷社会中的服饰、性别和身份
本文探讨了近代早期欧洲宫廷中社会和文化价值观、相关行为和服装之间的内在联系。更具体地说,它考察了西班牙和法国时尚的两种相互竞争的文化模式,以及决定他们各自在欧洲当代法院取得成功的价值观和历史进程,特别是在那不勒斯。由于服饰在性别角色建构中的重要性,本文分别评估了服饰对那不勒斯男性和女性的影响。研究结果表明,从16世纪到18世纪,那不勒斯grosso modo的男性时尚追随了欧洲的西班牙和法国时尚潮流。相比之下,法国女性的时尚和与之相关的社交形式只有在波旁王朝的查理统治时期才得以蓬勃发展。如果我们问一个西班牙人,他对法国的服装和他们的幻想有什么看法,他不仅会认为法国的服装不受欢迎,而且会对这种使人如此快乐和振奋人心的东西感到震惊;因为看到一群法国人在欢庆的日子里,穿着五颜六色的衣服,佩戴着千变万化的羽毛、浮雕、刺绣、流苏、装饰品和金色的花边,佩戴着数以百计的珠宝、钻石、珍珠、红宝石、绿宝石和黄玉,让人觉得整个印度都被它们包围了……然而西班牙人会说这是世界上最大的愚蠢……因为在西班牙,坟墓的样式是如此的普遍,而彩色的样式是如此的令人憎恶,以至于他们强迫刽子手穿着红色或黄色的制服来标记他的耻辱和耻辱。如果我们听到一个法国人对西班牙人的衣着和风格的评价,他会说,总是穿黑色衣服是绝望的标志,是寡妇或破产的标志,尽管黑色是最光荣的颜色之一,象征着谦虚、名誉、权威和理解。1
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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