Carved in Bone: A Henry Rios Novel by Michael Nava (review)
Jacqueline Jiang
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© 2021 by the University of Texas Press This lack of genuine connection among familial relations is a topic Ralph E. Rodríguez addresses in Brown Gumshoes: Detective Fiction and the Search for Chicana/o Identity (2005). While discussing the concept of family, particularly in Chicana/o communities, Rodríguez draws on feminist scholar Norma Alarcón’s theory of familia. She writes, “The speaking subject today has to position herself at the margins of the ‘symbolic contract’ and refuse to accept definitions of ‘woman’ and ‘man’ in order to transform the contract. This transformation would help us to ‘make familia from scratch’ ” (157). In response, Rodríguez proposes that familia not be made from scratch, but rather that the entire normative concept of family be scratched, eliminated, and erased. Ryan and Rios are both profoundly affected by not being part of a family structure; Ryan’s death is just another reminder to Rios that collective acceptance often means more to oneself than is healthy or desired. Just out of rehab for alcoholism and working as an insurance claims investigator as he refocuses on his law career, Rios takes a meticulous interest in Ryan’s case because he identifies with the hardships Ryan has experienced in relation to his identity, sexual orientation, desires, and fear of AIDS. Rodríguez notes that Rios’s “racial identity, in conjunction with his sexual identity, creates a heightened sense of disease for him” (38). Rodríguez’s distinction of “disease” suggests that Rios doesn’t merely feel uneasy in certain situations pertaining to his social, romantic, personal, or professional life. He feels a sense of “disease,” a complete separation from comfort with little possibility of connection between himself and the world. Not only is Rios gay, but he is also Chicano, creating a tension that causes him to feel like a constant outsider. To be gay in the 1980s, like Rios, was to live in constant fear of death and rejection from heteronormative society. Although gay men had each other and created familial ties, the viciousness of AIDS ensured that those with the syndrome often suffered lonely and painful deaths. With this epidemic came a dark cloud Carved in Bone: A Henry Rios Novel
刻在骨头上:迈克尔·纳瓦的亨利·里奥斯小说(书评)
家庭关系中缺乏真正的联系是Ralph E. Rodríguez在Brown Gumshoes:侦探小说和寻找Chicana/o身份(2005)中提到的主题。在讨论家庭概念时,特别是在墨西哥裔/非墨西哥裔社区,Rodríguez借鉴了女权主义学者诺玛Alarcón的家庭理论。她写道:“今天,说话的主体必须将自己置于‘象征性契约’的边缘,并拒绝接受‘女人’和‘男人’的定义,以改变契约。”这种转变将帮助我们‘从零开始建立家庭’”(157)。作为回应,Rodríguez建议家庭不是从零开始,而是整个家庭的规范概念被划破、消除和抹去。瑞安和里奥斯都深受没有成为家庭成员的影响;瑞安的死再次提醒里奥斯,集体接受对自己来说往往比健康或期望的更重要。里奥斯刚从戒毒所出来,作为一名保险索赔调查员重新专注于他的法律事业,他对瑞安的案件有着一丝不苟的兴趣,因为他认同瑞安所经历的与他的身份、性取向、欲望和对艾滋病的恐惧有关的苦难。Rodríguez指出,里奥斯的“种族身份,连同他的性别身份,为他创造了一种高度的疾病感”(38)。Rodríguez对“疾病”的区分表明,里奥斯不仅在社交、恋爱、个人或职业生活的某些情况下感到不安。他感到一种“疾病”感,与舒适完全分离,他与世界之间几乎没有联系的可能性。里奥斯不仅是同性恋,还是墨西哥裔美国人,这让他觉得自己一直是个局外人。在20世纪80年代,像里奥斯这样的同性恋者,生活在对死亡的持续恐惧和异性恋规范社会的排斥之中。尽管男同性恋者彼此相爱并建立了家庭关系,但艾滋病的危害使那些患有这种综合症的人常常孤独而痛苦地死去。伴随这种流行病而来的是《刻在骨头上的乌云:亨利·里奥斯的小说》
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