Time for Grief and Remembrance after 9/11 in David Foster Wallace’s “The View from Mrs. Thompson’s”

Nora Mathe
{"title":"Time for Grief and Remembrance after 9/11 in David Foster Wallace’s “The View from Mrs. Thompson’s”","authors":"Nora Mathe","doi":"10.52885/pah.v2i1.91","DOIUrl":null,"url":null,"abstract":"When discussing the events of 9/11, time is a key factor. How much time passed between the two hits? How long did it take for the towers to fall? How long should we wait to share criticism about America when talking about 9/11? The phrase “too soon” is used often to shut down any negative opinions or controversial jokes about the terror attack, which also stifles discussion about the topic. While 9/11 is the most photographed terror attack yet, it is also surprisingly censored. As Joan Didion puts it, “the entire event has been seized”, and critical voices were silenced or ostracized. The earliest works of literature about the terrorist attacks were essays. In these works of nonfiction, the authors question the official narrative set by the government, and focus on the experiences and attitudes of the people who witnessed the tragedy in some capacity. In my paper, I aim to investigate the way American writers process the events of September 11 in these essays, with a focus on the motifs of time and memory. While official reporting allowed no time to think about the events and incentivized people to retaliate, these texts question the way the United States grieved, provided space to mourn, and blamed strictly outside sources for the attacks. The goal of this paper is to analyze the ways in which David Foster Wallace explores time and memory on the day of and after 9/11, when the world stopped in its tracks for a day.","PeriodicalId":202690,"journal":{"name":"Papers in Arts and Humanities","volume":"106 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Papers in Arts and Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52885/pah.v2i1.91","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

When discussing the events of 9/11, time is a key factor. How much time passed between the two hits? How long did it take for the towers to fall? How long should we wait to share criticism about America when talking about 9/11? The phrase “too soon” is used often to shut down any negative opinions or controversial jokes about the terror attack, which also stifles discussion about the topic. While 9/11 is the most photographed terror attack yet, it is also surprisingly censored. As Joan Didion puts it, “the entire event has been seized”, and critical voices were silenced or ostracized. The earliest works of literature about the terrorist attacks were essays. In these works of nonfiction, the authors question the official narrative set by the government, and focus on the experiences and attitudes of the people who witnessed the tragedy in some capacity. In my paper, I aim to investigate the way American writers process the events of September 11 in these essays, with a focus on the motifs of time and memory. While official reporting allowed no time to think about the events and incentivized people to retaliate, these texts question the way the United States grieved, provided space to mourn, and blamed strictly outside sources for the attacks. The goal of this paper is to analyze the ways in which David Foster Wallace explores time and memory on the day of and after 9/11, when the world stopped in its tracks for a day.
大卫·福斯特·华莱士的《汤普森夫人的观点》:9/11后的悲伤与纪念
在讨论9/11事件时,时间是一个关键因素。两次袭击间隔了多长时间?双子塔倒塌花了多长时间?在谈论9/11的时候,我们要等多久才能分享对美国的批评?“太早”这个词经常被用来阻止任何关于恐怖袭击的负面评论或有争议的笑话,这也扼杀了关于这个话题的讨论。虽然9/11是迄今为止被曝光最多的恐怖袭击,但它也出人意料地受到审查。正如琼·迪迪昂所说,“整个事件都被控制了”,批评的声音被压制或排斥。关于恐怖袭击的最早的文学作品是散文。在这些非虚构作品中,作者质疑政府设定的官方叙事,并关注以某种身份目睹悲剧的人们的经历和态度。在我的论文中,我的目标是调查美国作家在这些文章中处理9月11日事件的方式,重点关注时间和记忆的主题。虽然官方报道没有让人们有时间思考这些事件,并鼓励人们进行报复,但这些文本质疑了美国哀悼的方式,提供了哀悼的空间,并严格地将袭击归咎于外部来源。本文的目的是分析大卫·福斯特·华莱士在9/11当天和之后探索时间和记忆的方式,当时世界停止了一天的轨道。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信