LINGUAL AND CULTURAL VULGARISMS ADAPTATION IN THE MODERN ITALIAN PROSE UKRAINIAN TRANSTATIONS

Abstract

The paper aimі to identify ways to reproduce linguistic and cultural adaptation vulgarisms and the potential in modern Italian fiction Ukrainian translations. To achieve this goal, we used the translation analysis methodological tools in the linguistic and cultural aspect, which determine the non-normative vocabulary lexical and semantic features in translation. Jargon, colloquial language, vulgarisms are expressed thoughts methods, emotions, attitude to the narrator social environment in the linguistic and cultural aspect. Thus, the lingual and vulgarisms cultural adaption is a cultural-speech adaptation to the different social classes language peculiarities . Vulgarisms are a human communicative behavior mirror, as well as national culture. This vocabulary is now used not only in oral speech, but also beyond it, in particular, is often used by authors in modern Italian art text to characterise and more clearly delineate form images their social relations and the characters’ attitude to a situation in the work. Translation often depends not only on the original culture, but also on the personal and background translators’ knowledge. Italian and Ukrainian languages have phonetic, lexical, grammatical and stylistic differences, so translation requires the mediator to find a match in order to achieve translation equivalence and make transformations that are complex semantic-cognitive and pragmatic processes. Ukrainian translation analysis of translations by Andrea Cammileri "Почерк митця" (translated by A. Maslyukh), Donato Carrizi "Ловець невинних душ" (translated by O. Khovrasyova), Paolo Giordano "Самотність (translated by A. Maslyukh) proved that translators, reproduce lexical units, resort to various stylistically colored words, phraseological units, idioms, synonyms, etc. Lingual and vulgarisms cultural adaptation has its own features: in order to emphasize the character's attitude to another character or situation, the translator has the task to convey it in the work. The paper proves that in Ukrainian-language Italian prose translations transmission problem of vulgarities are solved in three possible ways: softening, censoring, or absolute preservation.