Beatle Boots and Lennon Glasses - 1960s fashion in Pop Music

Kathrin Engelskircher
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Abstract

Fashion is a phenomenon strongly connected with music. Artists are aware of what they wear on stage and in public spaces and how they present themselves via social media channels. In this way, they do not only create a certain image of themselves through this self-staging strategy, but they also show their affiliation to a certain scene. In the 1960s a specific kind of music was developed which was, therefore, also characterised by a particular way of dressing and style to the current music scene which owes its strong impact to the current music scene. The Beatles as the maybe most influential band of the 1960s with a very interesting development regarding their own fashion serve as a model for the style of the Spanish-Chilean, Germany-based band The Recalls. Their specific kind of appropriation actualises, transforms and recontextualises as a translational act the fashion of The Beatles in a postmodern way. This approach underlines the chance of establishing a transcultural dialogue and tries to develop a new perspective on other border-crossing phenomena.
披头士靴子和列侬眼镜——20世纪60年代流行音乐的时尚
时尚是一种与音乐密切相关的现象。艺术家们知道他们在舞台上和公共场所穿什么,以及他们如何通过社交媒体渠道展示自己。这样,他们不仅通过这种自我上演的策略塑造了自己的某种形象,同时也展现了自己对某种场景的隶属关系。在20世纪60年代,一种特殊的音乐被发展起来,因此,它也以一种特殊的穿衣方式和风格为特征,这种方式和风格对当前的音乐场景产生了强烈的影响。披头士乐队可能是20世纪60年代最有影响力的乐队,他们的时尚发展非常有趣,他们是西班牙-智利,德国乐队The memories的风格的典范。他们以一种后现代的方式将披头士乐队的时尚作为一种翻译行为来实现、转化和重新语境化。这种方法强调了建立跨文化对话的机会,并试图对其他跨界现象发展一种新的视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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