The Spy Story Behind The Third Man

Riegler
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Abstract

The Third Man symbolically stands for espionage. Indeed, though its storyline concerns friendship and the hunt for an unscrupulous black-market dealer, the film has been connected to the Cold War struggle between intelligence services since its release in 1949. This perception is partly related to the film's setting—the bombed-out ruins of Vienna— which was then (and still remains) a major hub for spies. What has been less noted, however, is that the film's origins itself represent an espionage story. All major figures involved had a background in intelligence, from the author Graham Greene, to the producer Alexander Korda and the figure of Harry Lime, whose real-life model was the KGB mole Kim Philby. By drawing upon archival material as well as secondary literature, this article explores this other history of The Third Man and puts the film in the context of postwar Austria, and highlights how real-life events and personalities inspired its story.
第三个人背后的间谍故事
第三个人象征着间谍活动。的确,尽管影片的故事情节是关于友谊和追捕一个不择手段的黑市贩子,但自1949年上映以来,这部电影一直与情报部门之间的冷战斗争联系在一起。这种感觉部分与影片的背景有关——被轰炸的维也纳废墟——当时(现在仍然是)间谍的主要中心。然而,很少有人注意到的是,这部电影的起源本身就代表了一个间谍故事。所有主要人物都有情报背景,从作家格雷厄姆·格林(Graham Greene)到制片人亚历山大·科尔达(Alexander Korda),再到哈里·莱姆(Harry Lime),他的真实形象是克格勃间谍金·菲尔比(Kim Philby)。通过利用档案材料和二手文献,本文探索了《第三人》的另一段历史,并将电影置于战后奥地利的背景下,并强调了现实生活中的事件和人物如何启发了它的故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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