Inventing "Modern Architecture": Government and Social Order in the USSR in 1930s

A. Selivanova
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Abstract

This paper describes the use of architecture as an instrument of propaganda and symbolic representation of the government doctrines, which achieved a particular acuteness during the interwar period in the USSR. The system of governing the art world by the state created in those years retained its influence during the following decades. That's why, after 80 years passed, it's so important to look into the mechanisms that made this process run. This paper aims to analyze social and political sources of major events in the 19201930s architecture based on archive and press studies. This material, unveiling the culture governing mechanisms in the prewar USSR, could contribute to better knowledge of the inner reasons of 1932 aesthetic and institutional reconstruction of architectural activity, and also of the 1937 All-Union architectural meeting's sense and goals. Keywords—soviet architecture; avant-garde; constructivism; functionalism; Art Deco; architectural styles; soviet history
发明“现代建筑”:20世纪30年代苏联的政府和社会秩序
本文描述了建筑作为政府理论的宣传工具和象征性代表的使用,这在两次世界大战之间的苏联时期达到了特别尖锐的程度。在那些年建立的由国家管理艺术世界的体系在接下来的几十年里保持了它的影响力。这就是为什么,80年过去了,研究这个过程运行的机制是如此重要。本文旨在基于档案和新闻研究,分析20世纪20年代至30年代建筑重大事件的社会和政治来源。这些材料揭示了战前苏联的文化治理机制,有助于更好地了解1932年建筑活动的美学和制度重建的内在原因,以及1937年全联盟建筑会议的意义和目标。Keywords-soviet架构;前卫;建构主义;功能主义;装饰艺术;建筑风格;苏联的历史
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