Ukrainian onomastic realities in poetic discourse by Nicholay Zerov

E. Boeva
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Abstract

The article is devoted to the study of the functional features of onyms that nominate Ukrainian realities in the poetic discourse of the prominent Ukrainian neoclassicist poet N. Zerov. The communicative-pragmatic orientation of anthroponyms and toponyms in the context of sonnets of the Ukrainian artist, the ways of their participation in the creation of the artistic whole — the poetic cycle — were established. The lonely space of a literary work is always the reflection of the subjective tastes of the writer, his vision and understanding of objects in the surrounding reality. As a creature component of artistic text, onyms acquire new connotations, symbolize, become an important means of emotional-figurative deployment of artistic work. We believe that such a study is necessary for the further development of the theory and practice of Ukrainian literary onomastics. The purpose of the paper is to determine the functional and stylistic peculiarities of own names, which characterize the realities of Ukrainian history and culture in the poetic discourse of N. Zerov. The object of the study is the artistic speech of Nikolai Zerov, an onyms of his poetry. The subject of analysis consists of anthroponyms and toponyms that characterize the realities of Ukrainian history and culture. The research methods are determined by the specificity of the onymic material, which primarily requires a systematic approach and a traditional descriptive method. The stylistic-contextual approach enabled us to establish the communicative-pragmatic potential of the investigated proper names. Conclusions: Proper names in the poetry discourse of N. Zerov have a wide functional range, due to their informative nature, short poetic text acquires semantic capacity. Onyms in the poetry of the artist acquire a generalized symbolic color, taking a leading position in the verbal embodiment of the artistic concept of the work, solving individual aesthetic tasks, contribute to an in-depth understanding of the author’s plan.
尼古拉-泽罗夫:诗歌话语中的乌克兰现实
文章致力于研究乌克兰著名新古典主义诗人涅-泽罗夫诗歌话语中提名乌克兰现实的近义词的功能特征。研究确定了乌克兰艺术家十四行诗中人称地名和地名的交际-实用取向,以及它们参与艺术整体--诗歌循环--创作的方式。文学作品的孤独空间总是反映了作家的主观趣味、他对周围现实对象的看法和理解。作为艺术文本的生物组成部分,咏叹调获得了新的内涵,具有象征意义,成为艺术作品情感表意的重要手段。我们认为,这样的研究对于乌克兰文学拟物语理论和实践的进一步发展是必要的。本文的目的是确定自己名字的功能和风格特点,这些特点在涅-泽罗夫的诗歌话语中体现了乌克兰历史和文化的现实。研究对象是尼古拉-泽罗夫的艺术语言,即他的诗歌术语。分析对象包括体现乌克兰历史和文化现实特征的人名物名和地名。研究方法是由咏叹调材料的特殊性决定的,这主要需要系统的方法和传统的描述性方法。文体-语境方法使我们能够确定所调查专名的交际-实用潜力。结论涅-泽罗夫诗歌话语中的专名具有广泛的功能范围,由于其信息性,短诗文本获得了语义容量。艺术家诗歌中的专名具有普遍的象征色彩,在作品艺术概念的语言体现中占据主导地位,解决了个别审美任务,有助于深入理解作者的计划。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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