Rebel Music

Jeremy Prestholdt
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Abstract

This chapter applies a wide lens to appreciate the multi-faceted popularity of Bob Marley in the late Cold War era. More precisely, the chapter explains how a commercial musician became a potent symbol for social justice and so bridged the worlds of politics and popular culture. In the mid-1970s, Island Records marketed Bob Marley to Western listeners as an exotic rock star. Yet, fans around the world soon embraced his critiques of inequality and state repression as well as his liberation anthems, notably "Get Up, Stand Up". By rejecting ideological binaries and emphasizing morality, Marley became an important reference for transnational left youth culture, activism, and militancy. Young West Indians, Africans, Europeans, North Americans, Pacific Islanders, and many others celebrated Marley as an authentic antiestablishment voice both articulating common experiences of oppression and offering a new countercultural aesthetic. In dispensing with conventional politics and articulating the dreams of the freedom fighter, Marley invigorated liberation discourse..
叛逆的音乐
本章运用广泛的视角来欣赏鲍勃·马利在冷战后期的多面性人气。更准确地说,这一章解释了一个商业音乐家如何成为社会正义的有力象征,并因此连接了政治和流行文化的世界。20世纪70年代中期,岛屿唱片公司(Island Records)把鲍勃·马利(Bob Marley)推销给西方听众,说他是一位异国摇滚明星。然而,世界各地的粉丝很快就接受了他对不平等和国家镇压的批评,以及他的解放歌曲,尤其是“起来,站起来”。马利拒绝意识形态的二元对立,强调道德,成为跨国左翼青年文化、行动主义和战斗性的重要参考。年轻的西印度人、非洲人、欧洲人、北美人、太平洋岛民和其他许多人都把马利视为一个真正的反建制声音,他既表达了受压迫的共同经历,又提供了一种新的反文化审美。马利摒弃了传统的政治,清晰地表达了自由斗士的梦想,为解放话语注入了活力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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