Die Essayistik Herta Müllers

Grazziella Predoiu
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引用次数: 0

Abstract

Abstract The article follows the two volumes of essays The King Bows and Kills (2003) and Always the same snow and always the same uncle (2011) written by Herta Müller. Politics and aesthetics define the Nobel laureate’s writing, with her essays anchored in Romania’s recent history. They are of a political nature, offer retrospectives on their life in Romania beyond the Iron Curtain, insights into the dictatorial past, persecution by the secret service, the betrayal of closest friends, but also contain reflections on the role of the language, the preference for Romanian, on the use of “The King” in their fictional texts, explain their “alien gaze”. Always the same snow and always the same uncle focuses on the deportation of the Romanian Germans to the Ukraine, with the information serving as a companion work to the novel Hunger angel. The betrayal of closest friends is also discussed, whereby the insight into their files and the past of Oskar Pastior/Otto Stein’s files are used.
本文是继赫塔·迈勒的散文《国王的杀戮》(2003)和《永远一样的雪,永远一样的叔叔》(2011)之后的又一篇文章。政治和美学定义了这位诺贝尔奖得主的写作,她的文章扎根于罗马尼亚的近代史。它们具有政治性质,回顾了铁幕之后他们在罗马尼亚的生活,洞察了独裁的过去,受到特务机关的迫害,背叛了最亲密的朋友,但也包含了对语言的作用的反思,对罗马尼亚语的偏好,在小说文本中使用“国王”,解释了他们的“外星目光”。总是一样的雪,总是一样的叔叔关注的是罗马尼亚德国人被驱逐到乌克兰,作为小说《饥饿天使》的姊妹篇。最亲密的朋友的背叛也被讨论,由此洞察他们的文件和过去的奥斯卡·帕斯提奥/奥托·斯坦的文件被使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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