Borders, Kinship Disruption, and Collapsed Immobility: A Pendula of All My Relations

Keri-Lynn Cheechoo, Patrick Cheechoo
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Abstract

Words are like arrows… Through poetic inquiry and art, this co-authored submission will include an inter/textual representation of Indigenous Métissage which will ask readers to ‘explore’ the lived experiences of colonialist displacement that has (re)framed kinship disruption through a lens that includes collapsed immobility. By engaging both ethical relationality and collapsed immobility (a response to a threat or strategies), the authors will navigate ‘the self’ through a lens that will speak to the (de)lineation and/or (non)existence of governmentally enforced borders present on ancestral territories. Leaning into ancestral aptitude, the authors will make space for All Our Relations to simultaneously step forward by reaching back to “come home” (McLeod, 2007, p. 67).
边界、亲属关系破裂和崩溃的不动:我所有关系的钟摆
文字就像箭……透过诗意的探究与艺术,这篇合著的作品将包含原住民族的跨文本呈现,并要求读者“探索”殖民主义流离失所的生活经验,透过包括崩溃的不动性的镜头,重新建构了亲属关系的破裂。通过涉及伦理关系和崩溃的不动(对威胁或策略的反应),作者将通过一个镜头来导航“自我”,这个镜头将讲述在祖先的领土上出现的政府强制边界的(划定)和/或(不)存在。借鉴祖先的天赋,作者将为我们所有的关系腾出空间,同时通过回到“回家”来向前迈进(麦克劳德,2007年,第67页)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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